The Looming Threat of Fascism - Part One: The March on Rome

In the years between Adolf Hitler’s accession to chancellorship in Germany and the outbreak of World War II, when the threat of Fascism and Nazism loomed large on the world stage, many in America did not shrink from identifying what seemed to be fascist threats at home. Indeed, there were many in America, especially among the wealthy, who openly admired Mussolini’s brand of authoritarian government, even apparently conspiring to overthrow President Roosevelt and replace him with a similar strong man leader in a planned insurrection called the Business Plot or Wall Street Putsch. And there were outright Nazi sympathizers within the U.S. as well. The organization Friends of New Germany was actually organized by the Nazis and run by Nazi agents, and this organization transformed by 1936 into the German American Bund, which worked tirelessly to promote Nazism and make Hitler palatable to the American public. Many in this organization would go on to be very active in the America First Committee, which lobbied to keep America out of Hitler’s war. In this, the heyday of literal fascists, it was a matter of duty and vigilance among those who recognized fascism as the threat it was to point out when any American leader seemed to tend toward authoritarianism. With unabashed fascists abroad and at home, it was no idle threat. Amidst this turmoil, in 1935, Nobel prize winning author Sinclair Lewis dramatized the threat in his classic novel, It Can’t Happen Here, in which a populist demagogue rises to the U.S. presidency with promises of making the country great again, and once in office becomes a brutal authoritarian tyrant. It was a timely and timeless warning, and in those years, it was not uncommon or uncalled for to point out when a politician was looking like a fascist. Ironically, though, while Italian Fascism and Hitler’s Nazism were both inherently right-wing extremist movements, here in the U.S., while forces on the far right pretty openly plotted to bring about their own literally fascist regimes, it was politicians on the left who were called fascists. One, of course, was Louisiana senator Huey Long, who was called “the Hitler of one of our sovereign states,” and who some said would “Hitlerize America.” The comparisons were so common that one supporter of President Roosevelt said “Hitler couldn’t hold a candle to Huey.” Now, Long certainly can reasonably be described as a demagogue, and he did have authoritarian leanings, but I’ve argued before that painting him as a fascist misses the mark and shows a lack of understanding of what fascism is. Long was not alone in being compared to Mussolini and Hitler, though. In 1933, when FDR took office, a New York Times reporter described the support for Roosevelt as “strangely reminiscent of Rome in the first weeks after the march of the Blackshirts.” It may seem absurd to compare FDR to Mussolini, since Roosevelt moved the country out of neutrality in his efforts to fight the threat of the Rome-Berlin Axis. Also, there is the fact that his greatest enemies were the wealthy, many of whom saw Roosevelt as a traitor to his class and they themselves wanted fascism because of its protection of business aristocracy. But because of some superficial similarities between his sweeping New Deal programs and some economic recovery programs enacted by both Mussolini and Hitler, he was called a “fascist dictator” on all sides, by the Communist and Socialist Parties and left-leaning publications, as well as by his critics on the right, most vocally by the Republican president he had unseated, Herbert Hoover. While this characterization of Roosevelt may not have stood the test of time, it was not out of bounds as political rhetoric. In fact, staying actively vigilant against such threats was very necessary and would remain so, even after the war. In 1946, the U.S. War department, recognizing the continuing threat of fascist movements within the U.S., produced an educational film called Don’t Be a Sucker, in which it compared those who are taken in by fascist movements to marks duped by swindlers. In it, a man stands listening to a speaker on the street who is spewing hate speech and nativist rhetoric, and a Hungarian immigrant points out that it is very reminiscent of the Nazi rhetoric that he saw take root in Germany. He goes on to convince the other man that such divisive rhetoric is dangerous, because it enables the rise of brutal authoritarianism, something that all Americans need to remain vigilant against. This short film went viral in 2017, after the white supremacist rally at Charlottesville that saw anti-racist counter-protester Heather Heyer murdered by vehicular homicide and then President Trump seemingly defending the neo-Nazi demonstrators as also having “very fine people” among them—a remark recently deemed by Snopes to have been taken out of context, but which still seems unmistakable when examined within the context of the press conference in which it was uttered.

The rediscovery of the 1946 film Don’t Be a Sucker speaks to the fact that we again live in a time when there is a growing threat of nationalist authoritarianism in the world. According to the last several Freedom in the World reports, there has been a “global decline in freedom” for the last 18 years, and according to the latest Democracy Report, for the first time in the last three decades, “The world now harbors more closed autocracies than liberal democracies.” However, even though we are in the midst of another period of increased danger justifying increased vigilance against the rise of fascist movements, it has become gauche to draw comparisons between current political movements and fascists or Nazis, or between prominent political figures and Mussolini or Hitler. It is called lazy, and it is said to trivialize the Holocaust. In fact, Mike Godwin, in 1990, coined Godwin’s law, the idea that any online argument will inevitably devolve into baseless name-calling and comparisons to Hitler. In many cases this is true. If one makes groundless comparisons of those one disagrees with to Nazis, it is certainly toxic rhetoric and it definitely can trivialize the Holocaust. Case in point, when actor Gina Carano posted a tweet comparing the experience of being conservative to the experience of Jews in the Holocaust being beaten in the streets by Nazis. It’s unsurprising that she received backlash over this comparison. But it was not for the simple act of making a Nazi analogy. Many right-wing pundits defended her by saying critics of Trump had been comparing him and his supporters to fascists for years, crying double standard, but Carano is not a good example. She just made a bad taste comparison, and since her job relied on her remaining publicly palatable, she was held accountable for her own sentiments in a pretty standard way. Don’t stir controversy and then complain when you come to be viewed as controversial. A more valid example of Nazi analogies made by those on the right is Donald Trump himself saying that Joe Biden is “running a Gestapo administration,” or when he promised at a rally to “root out the communists, Marxists, fascists, and the radical Left thugs that live like vermin within the confines of our country,” which is quite an interesting statement, since he is trying to identify fascism with its almost diametric opposite, communism, and in the same breath calling those he demonizes “vermin,” a word famously used by Hitler for those he demonized, Jews, whom he explicitly identified with Communists. Trump is criticized for making these analogies, just as are those who compare him with Hitler or Mussolini. The difference is that there are simply more parallels when comparing him and his movement to fascism. He has simply given the world more reason to identify him as a fascist threat. To equate the analogies on all sides is misrepresent them. As we have seen, there is a long history to making such analogies and scrutinizing leaders and movements for the whiff of fascism, and with the current rise of authoritarianism in the world, there is again strong reason to be skeptical of any politician or party that stinks of fascism. It is more important than ever to really look at why these comparisons are made and to evaluate them seriously. Is there a Holocaust or pogrom being perpetrated against Republicans, as Carano suggested. Obviously no, so her comparison was odious, to say the least. And what reason does Trump have for comparing the current administration to Nazis? Simply that he has been prosecuted under its auspices, but Trump has been investigated not only by the Justice Department, but also by district attorneys in New York and Georgia, and indicted in every case based on evidence by grand juries composed of citizens, not Justice Department officials. The comparison to the Gestapo just falls apart in the face of the truth of the criminal cases against him. So much for the right calling the left fascist. Now let’s look at the parallels that compel critics to suggest that Trumpism looks a lot like fascism. Though Godwin’s Law has sometimes been misconstrued as suggesting that any time someone makes such an analogy they must automatically be disregarded, Mike Godwin himself rejected this, saying that his law “should function less as a conversation ender and more as a conversation starter,” and urging that any who make such comparisons “develop enough perspective to do it thoughtfully…. and not be glib.”  “If you think the comparison is valid,” he says, “and you've given it some thought, do it.” So here goes.

Concerns that Donald Trump’s candidacy represented a fascist threat to American democracy first appeared before the 2016 election. During the run up to Election Day, a non-profit documentary made by college students in Canada and called It Can Happen Here went through fourteen defining characteristics of fascism as defined by Dr. Lawrence Britt and examined their presence in Trump’s campaign trail rhetoric. These characteristics are: Powerful and continuing expressions of nationalism: disdain for the importance of human rights, identification of enemies/scapegoats as a unifying cause, the supremacy of the military/avid militarism, rampant sexism, efforts to control mass media, an obsession with national security, religion and the ruling elite being tied together, the power of corporations being protected, the power of labor being suppressed or eliminated, disdain for and suppression of intellectuals and the arts, obsession with crime and punishment, rampant cronyism and corruption, and fraudulent elections. At the risk of equating both sides, some of these characteristics, like protection of corporations and militarism, are arguably true of the American political system generally, regardless of the party in power, and that should give us pause. But certainly, over the course of the last 9 years, Trump and his MAGA movement have demonstrated again and again their anti-intellectualism in their attacks on science and academia, their sexism in their misogynist rhetoric, their nationalism masquerading as patriotism, their mafia-like corruption, their demonization of political opponents, as well as immigrants and minority groups, as “enemies” to unite against, and perhaps most obviously, their intention to marry church and state. While such early warnings as this documentary may have seemed premature or alarmist at the time, they have proven prescient. Just before the election, in my very first podcast episode, I too wanted do my part to sound a warning against Trump’s candidacy, which I worried then was dangerous, even though I had no real platform to speak of at the time. I was not yet ready, however, to call Trump a fascist. Instead I focused on his phony populism and nativist rhetoric, identifying him as a demagogue and comparing his movement to the anti-immigrant Know-Nothing party of the 19th century. And though some listeners dislike my political takes, the fact is that I rarely mentioned Trump at all during his term in office. During my episode on the Reichstag fire, I did not compare him to Nazis; rather, I only mentioned there were fears that he may exploit some attack as a kind of modern Reichstag Fire, just as there had previously been fears and arguments that Obama and George W. Bush would do or had done likewise. I only vaguely mentioned Trump’s conspiracy-mongering and efforts to undermine trust in the press with his use of the term “fake news” in my episode on newspaper hoaxer Joseph Mulhatton. But after Charlottesville, I felt moved to more directly address his egregious remarks and called him out for his assertion that protesters of confederate monuments were “changing history” in my episode on the Lost Cause Myth of the Confederacy. After that, I did not again make mention of him until the lead-up to the 2020 election, when I again felt moved to use my by then somewhat bigger platform to caution listeners about the danger of his conspiracism and claims about a “deep state,” placing them within the long history of baseless political conspiracy mongering going back to the Bavarian Illuminati. My episodes were more and more political following Trump’s election defeat, as threats to democracy seemed to loom with his baseless claims of election fraud, proven lies that came to a head with the capitol insurrection on January 6th 2021. I have since written more than one piece  comparing January 6th to other incidents in American history, one of them an explicitly fascist plot, the Wall Street Putsch, and I am not alone in comparing January 6th to a fascist coup attempt. That is because it bears such a striking resemblance to the first fascist coup, led by Benito Mussolini.

The January 6th U.S. Capitol attack should be foremost in the minds of all American voters this Election Day. It was incited not only by Donald Trump’s election denialism but also by an explicit campaign, organized by Trump strategists Roger Stone and Steve Bannon and bankrolled by Trump’s donors, which included robocalls to muster participants, the organization of over 80 buses to transport the participants, and the apparent recruitment of march leaders, like conspiracist Alex Jones, and collusion with the principal instigators of violence, the militant Oath Keepers and Proud Boys, many of whom have since been convicted of seditious conspiracy. That very day, on social media, Trump was suggesting that his supporters could prevent the peaceful transition of power, and in a rally that morning not far from the Capitol, he invoked violent rhetoric, telling them to “walk down to the Capitol,” and asserting that “if you don't fight like Hell, you're not going to have a country anymore.” He said that he too would march with them on the Capitol, though this did not happen. During the ensuing storming of the Capitol, one protester was shot and killed while trying to unlawfully enter a building. 174 police officers were injured, 15 hospitalized, and one afterward died, suffering two strokes after having been assaulted with bear mace. Four Capitol Police officers who responded afterward committed suicide. In the days before the attack, Steve Bannon reportedly remarked that he was actively involved in a “bloodless coup,” but this certainly was not bloodless, and the historical reference should not be lost. Mussolini’s March on Rome in October of 1922 was also called “bloodless” when it too was very violent. The parallels between Mussolini’s March on Rome and the January 6th insurrection were not lost on the media. The Capitol attack was variously called “Trump’s abortive March on Rome” and “Trump’s Half-Baked March on Rome.” It was not the first time that Trump was linked to Mussolini. Early in his 2016 Presidential campaign, he came under fire for retweeting a Mussolini quotation, “It is better to live one day as a lion than 100 years as a sheep.” In an interview, he insisted that he knew who had said it and that he didn’t much care. It was a rather striking parallel to when Louisiana Senator Huey Long was asked by a radio broadcaster if he was a fascist and responded in kind. “Fine. I’m Mussolini and Hitler rolled into one. Mussolini gave them castor oil,” he said, laughing as he referred to a violent force-feeding incident during the March on Rome. “I’ll give them Tabasco, and then they’ll like Louisiana.” Just as Long’s exasperated joke in the face of direct accusations of fascism didn’t make him a fascist back then, Trump’s unrepentant admiration of Mussolini’s quote also didn’t make him a fascist. But then Trump went and fomented an insurrection with numerous parallels to Mussolini’s historic fascist coup, which his own organization gave the very similar name “March to Save America.” The “march to the Capitol,” as many participants called it, was eerily similar to Mussolini’s Marcia su Roma, or March on Rome, which was also a march on the capital of the Kingdom of Italy.

Louisiana Senator Huey Long, who was also called a Fascist, but who never fomented an open insurrection.

Much like Donald Trump, who famously said on television more than a decade before securing the Republican presidential nomination, that “[i]n many cases, I probably identify more as Democrat,” Benito Mussolini did not start out as a far-right political figure. He was, in fact, prominent in the Italian Socialist Party. He considered himself a Marxist, but he leaned more toward authoritarian communism, rejecting socialism’s egalitarian principles, and as he drifted more toward militarism in support of Italian intervention in World War One, he was expelled from the Socialist Party. At that point, his politics devolved into rabid nationalism. He built his political ideology in direct opposition to socialism. He stood in opposition to democracy, admiring Friedrich Nietzsche’s concept of an Übermensch, or superman, seeing in it an ideal national leader, a supreme aristocratic figure who could lead Italy through strength. In 1919, he formed the Italian Combat League. The Italian word for “league” being fasci, a term referring to a sheaf or bundle, representing strength in unity. The word had been used in the late 19th century to refer to many and various political groups. Mussolini’s use of it was rather mundane, but because of his actions, the word would take on sinister meaning. His political group formed armed squadrons, or squadristi, known as blackshirts for their choice of attire, and this far right militant faction engaged in violence directed at all leftist groups, from Social Democrats and Socialists to Communists and anarchists, and because of a perceived threat of a potential communist revolution, owing to worker strikes in recent years, the government did not respond to the violence perpetrated by Mussolini’s squads. Soon, the National Fascist Party was formed and Mussolini was elected to the lower house of the Italian parliament. A year later, he directed his squadristi to march on Rome and was summarily appointed Prime Minister by King Victor Emmanuel III in what was widely represented as a bloodless revolution. Before we further examine the remarkable parallels between Mussolini’s March on Rome and the January 6th attack, we can acknowledge its differences without taking away from the point. Mussolini came by his leadership of militant squads somewhat honestly, having volunteered for military service in World War I. Trump, on the other hand, dodged military service in Vietnam through a medical deferment. While it is true that, in his youth, Mussolini too avoided military service by fleeing to Switzerland, in the Great War, he fought through nine months of trench warfare and was eventually discharged after being wounded in a mortar explosion. And Mussolini did not hide his direct command of or responsibility for the blackshirts and their violence. Certainly the violent militant groups the Oath Keepers and the Proud Boys have been likened to Mussolini’s blackshirts, but Trump has been insulated from direct contact with them. Ties between Trump associates and these extremist groups have been probed, and the January 6 panel was presented evidence of coordination between Trump allies and these groups, and we all saw Trump on television choosing carefully his coy phrasing, telling the Proud Boys to “stand back and stand by” rather than condemning their violence. Certainly these groups believe that he at least tacitly approves of their actions, though, even if he is not directly issuing them commands. Additionally, Trump’s insurrection on January 6 could better be described as a self-coup than a coup. He had attained power through legal means and incited an autocoup, an illegal attempt to remain in power. Mussolini’s, on the other hand, was more of a traditional coup d'état, seizing power he did not already have. In fact, Mussolini’s seizure of power was essentially legal, as the King granted him his position. He really did not seize absolute dictatorial power for another few years, and in that case, his too was a self-coup. Finally, perhaps the most crucial of differences, but one that should encourage our vigilance rather than comfort us and make us complacent, is that, while Mussolini’s March on Rome succeeded, Trump’s failed. That does not mean, however, that such a coup cannot possibly succeed in the United States.

While the differences cannot be denied—such as the differences of time and place and culture, which I don’t even mention—the similarities between Trump’s March on the Capitol and Mussolini’s March on Rome should also not be denied or ignored. In both cases, the attempted coup came in the wake of unrest and mass demonstrations of a more leftist character, which those on the right feared as revolutionary. In America, the unrest preceding the insurrection was the George Floyd protests, which I am reluctant to characterize as political in nature, since they were protests for civil rights and human rights, which rightly should not be considered political, but rather a matter of human decency and justice. Certainly the widespread demonstrations were treated as political, though, and Trump himself, in an official statement, described those protesting for police reform in the wake of George Floyd’s murder as “professional anarchists, violent mobs, arsonists, looters, criminals, rioters, Antifa, and… dangerous thugs,” generalizing the demonstrations as “acts of domestic terror,” though 93% of them were not violent or destructive, according to Armed Conflict Location and Event Data. Similarly, during the years before Mussolini’s March on Rome, there were mass demonstrations over inequities in working and living conditions. Most notable was the so-called “Red Week,” during which the Italian Socialist Party called a general strike in the wake of three unarmed socialist protesters being massacred by police in the town of Ancona. These mass labor demonstrations across two northern and central regions of Italy were viewed as an attempted Communist revolt, so the government sent 100,000 soldiers to quell the rioting, resulting in the further killing of 17 protesters as well as the injuring of thousands. Once again, when making historical comparisons, we cannot pretend that a one-to-one, perfect likeness exists. Red Week was actually years before the March on Rome, whereas the George Floyd protests occurred less than a year before the January 6th attack. Also, whereas Trump was the one sending soldiers to quell the unrest in 2020, in 1914, Benito Mussolini was actually an organizer of the general strike during Red Week. When the strike was called off, Mussolini began to view the socialist movement as failed and began his drift to the political right. While it’s true that riots during Red Week took on an insurrectionary character, destroying railways and bridges and taking control of entire towns. In contrast, even in the few cases when Black Lives Matter protests did degenerate into riots and looting, there was never an insurrectionary character. They never attempted to disrupt the government or seize the reins of power. Nevertheless, the parallel here is important because in both cases this unrest affected the response to the later insurrections.

A Blackshirt Action Squad in 1922

Whereas the general strike during Red Week was responded to swiftly and violently, the Italian military and gendarmerie mostly looked the other way when blackshirts began their campaigns of violence and terror and did almost nothing to oppose them in their March on Rome. Likewise, BLM protesters demonstrating in Washington, D.C., on June 1st, 2020, were met with strong and violent law enforcement response, including SWAT teams and mounted police as well as the presence of federal agents, Secret Service, and the National Guard, even though they never attempted to breach the Capitol, or the White House, outside of which they were protesting. In contrast, on January 6th, 2021, with a crowd of comparable size initiating an overt attack on the Capitol building while representatives were tallying and certifying electoral college votes, only Capitol police were present, and eventually some metropolitan police, all in meager numbers. The Capitol Police twice refused reinforcements, but with nearly 2000 sworn officers and its own bomb squad, it should still have been up to the task, as evidenced in previous crisis situations, such as during Supreme Court Justice Brett Kavanaugh’s confirmation hearings two and a half years earlier, when they managed to clear demonstrators from buildings and arrested 73. On January 6th, only a few hundred Capitol Police officers were on duty, while others were teleworking, and of those on duty, some were nowhere to be seen, while others posed for pictures with insurrectionists and in some cases appeared to let rioters enter buildings. Numerous officers certainly acted heroically that day, and among these, there was a sense that they had been set up for failure, as one officer afterward stated, “I feel betrayed. They didn’t even put us in a position to be successful.” Certainly the disproportionate law enforcement response compared to previous riots is a major parallel between January 6th and the March on Rome. Another is that insurrectionists involved in both incidents, as well as their apologists, relied on direct comparisons between themselves and protestors on the left. In the wake of the Capitol siege of 2021, when legislators convened for the historic purpose of impeaching the already once impeached President Trump, Republicans more than once compared the insurrectionists to Black Lives Matter protestors, drawing a false equivalence and denying the insurrectionary character of the Capitol siege. Likewise, in Italy, fascist violence had long been excused as only a countermeasure to potential socialist revolution and similar in character to socialist labor demonstrations, and Mussolini too denied the insurrectionary character of his March on Rome, claiming that it was not anti-democratic. His March was no coup, he insisted, though he was careful to make explicit the continuing threat that it could be, saying in a speech to the Italian parliament the next month, “I could have made this drab silent hall into a camp for my squads…I could have barred the doors of parliament and created a government which was only made up of Fascists: but I didn’t want to, at least for now.” January 6th apologists similarly insist that their siege of the capitol was not anti-democratic. They did not seek to overthrow the government, according to their defenders, just to prevent the certification of the election. Of course, if they had succeeded, and if Donald Trump had unlawfully remained in power despite election results, then he would have been in a similar position to Mussolini, an unelected leader who had taken his power through a show of force, with the implicit threat that he could take more if he wanted to, a threat on which Mussolini, eventually, made good.

A similarity that has been previously noted between Trump and Mussolini is that, while both clearly roused their followers and paramilitant bad actors to march on the capital with the clear intention of seizing power, or in Trump’s case, maintaining power, neither was physically present. Neither participated himself. Testimony presented before the House committee investigating the attack revealed that Trump actually seems to have genuinely intended to join the insurrectionists, believing that a televised march on the capitol with the President at its head might pressure legislators to give in to his demands that the election results not be certified. He appears only to have relented when his Secret Service security detail, unprepared for such an affair, were unable to get roadblocks set up on short notice, with Capitol police already struggling to deal with the crowds Trump had sent their way. According to one White House aide, he even climbed into his limousine and throttled a Secret Service agent who refused to drive him to the Capitol. On the other hand, Mussolini seems to have never had any intention of joining his blackshirts in their March on Rome. Instead he remained near the Swiss border, in Milan, ready to flee if his coup went south. He only came to Rome by train once he was assured that his forces controlled the city, after he had been invited by the king to form a cabinet. Once there, he took a propaganda photo showing him marching with his blackshirts in the street, but he was not actually present during the days of violence that had preceded his arrival. It has been theorized that, if Trump had personally led his insurrectionists, his coup may have succeeded, as Capitol police may have ceased all efforts to hold back the mob when faced with the President, and lawmakers may have bent to his demands if he had marched into the room with a squad of paramilitants in tow. This counter-factual analysis of January 6th is very common of coups both successful and unsuccessful. Long have historians analyzed Mussolini’s coup through similar what-if scenarios. It is often asserted that if the Italian army had been called in, if there had been a concerted effort to actually confront the blackshirts, then the March on Rome would not have succeeded. This is one talking point of a certain view on Mussolini’s coup that places blame entirely on the king. The problem is, we don’t know, we never know, what might have happened in some given incident if circumstances had been different. Certainly the blackshirts would have been outnumbered, but they had always been outnumbered and that had never stopped them from seizing power or control in other cities during the years leading up to their march on the capital. Mussolini’s squadristi had managed to overthrow the local governments of almost 300 towns, and earlier that summer, they had marched on Ravenna and taken control of the entire region. Since neither the police nor the military put up the resistance necessary to halt fascist seizure of weapons, vehicles, and buildings during the three years of blackshirt terror prior to their March on Rome, there is no clear reason to believe the military would have been effective in stopping them or even motivated to do so. A more troubling and pressing counterfactual premise to ponder is whether January 6th would have been more successful if red-hat rioters had demonstrated their willingness and capacity to disrupt local governments and seize public buildings countless times before their march on the capital, as had blackshirts. As it was, anti-masking and anti-lockdown demonstrations prior to January 6th are not comparable to the fascist violence before the March on Rome. Only once, just three months before the Capitol attack, did right-wing militiamen storm a state capitol during Covid lockdown protests, in Michigan, in what is seen as a kind of dry run for the later insurrection in Washington.

A newly arrived Mussolini posing for pictures with his insurrectionists after days of violence in Rome.

This depiction of the March on Rome as no real threat is part and parcel of the larger portrayal of the Fascist coup as being harmless and legal. This was a view of the March on Rome that Mussolini himself promoted. While his blackshirts were still marching on the capital, he gave an interview to The Times in which he claimed no violence was taking place. Mussolini was a longtime writer for newspapers and was even working for Hearst News Service at the time of the March. He was adept at spinning the press narrative, and this is a big reason why many in America viewed him and his party favorably following his seizure of power. In fact, this perspective of the March on Rome would be immortalized in history books for a long time. It was simply easier to blame the collapse of democracy on the weakness of the king rather than on the threat of a violent minority of extremists. So the insurrectionary march on the Italian capital was characterized by historians as bloodless and farcical, more of a joke than a serious coup. In many historical representations, it was mere choreography, purely symbolic, a bluff that paid off. And how could it not be? The Fascist marchers were not an army, but rather citizens, and their march was therefore a lawful demonstration since, again, it was peaceful according to the history that the victors had written. The blackshirts were poorly equipped, a “rag-bag” crowd, it was said, and their display was a “parody,” a “grotesque.” In this way the threat and the violence of the fascist insurrectionists in Italy was downplayed, and indeed, Mussolini would even go so far as to pretend that, when there was violence, his blackshirts were themselves the victims, painting them as martyrs, comparing them to fallen French revolutionaries. “We should remember… that the insurrection was bloody,” he said, not shying from calling it what it was, an insurrection, but reversing the true direction of the violence that had taken place: “There were dozens of Fascist dead…many more than fell during the sacking of the Bastille.” In reality, as later historians who set the record straight have revealed, the Fascist March on Rome was anything but peaceful. Most notably, a Communist party official, Giuseppe Lemmi, was abducted, shaved, and forced to drink more than a pint of castor oil. He was then paraded through the streets, his head painted with the colors of the Italian flag, with a card hung around his neck labeling him a deserter, and he was forced to shout “Long live Fascism!” Beyond this clear example of violence, there were countless others. Blackshirts had lists of names, targeting specific Communist and Socialist political figures as well as liberals and trade unionists generally for execution. They burned homes to the ground. They destroyed the presses of opposition newspapers. They occupied whole neighborhoods that were seen as leftist strongholds, and when anyone resisted them, throwing insults or the occasional brick their way, they opened fire, killing more than one innocent bystander, like an elderly man who was out on his balcony when someone in his building shouted down at the blackshirts. The violent nature of this coup cannot be denied, and yet it was, convincingly. The January 6th riot and breach of the Capitol was also undeniably violent. About 140 police officers were assaulted that day, according to the Department of Justice, and dozens of those were severely injured, according to the Associated Press. The violent intentions of the insurrectionists were clear. They set up gallows and announced their intention to kill the Vice President. They stormed the Capitol with firearms, knives, clubs, pepper spray and bear mace. Some were photographed carrying zip tie handcuffs, and they too had a list of targets. Besides the Vice President, they were explicitly searching the building for the Speaker of the House, who was hiding under her desk with other lawmakers. Yet Republican politicians claim it was only a peaceful and lawful protest. They downplay its violence, its organization, and its effectiveness, pretending the rioters were never a real threat. Donald Trump claimed that there were “no guns whatsoever,” but court records and news reports have proved this was strictly false, as numerous defendants were charged with possession of firearms on the Capitol grounds. Trump and other insurrection apologists, as well as the press generally, also portray the January 6th rioters as “rag-tag” and not a real threat, or as heroes and martyrs, pointing specifically to the killing of Ashli Babbitt, who ignored warnings from law enforcement not to enter the Speaker’s Lobby through a shattered window, beyond which legislators were being evacuated, and was shot in her left shoulder. Despite later claims that she was unarmed, crime scene investigation showed she was actually carrying a knife. While Babbitt’s death is tragic, the shooting was ruled justified. The point to emphasize here is that, in the downplaying of the insurrectionists’ violence and the threat they posed, as well as in their misrepresentation as victims and martyrs, the parallels between January 6th and the March on Rome are hard to deny.

Since 2022, when more and more information was revealed not only about the Capitol attack but also about Trump’s illegal fake elector scheme, many in the press and media, as well as political analysts, began to raise the alarm about what they called a “slow motion coup” or “slow moving coup,” because of Republican efforts to get election denialist Trump supporters elected as the chief elections officers of numerous states. With the further push to place election deniers into positions as poll workers and elections officials all over the country, it appears that the groundwork is in place to prevent the certification of election results before they ever reach Congress. But Mussolini’s Fascist coup in Italy was not swift either. When blackshirts marched on the capital, it was the culmination of three years of similar insurrections in cities and towns across Italy, dress rehearsals for their storming of the seat of political power, and in all of the preceding insurrections, similar violence took place. Neither was their coup complete when Mussolini was named Prime Minister, nor did their violence cease. Before the end of the year, in Turin, blackshirts attacked local labor leaders who resisted their domination, killing at least eleven and maybe as many as two dozen. Still, for the next year and a half, Mussolini ruled with the trappings of democracy, under a coalition government, slowly but surely working toward consolidating his power. Crucial to his machinations was getting a law passed that would allow for minority rule, awarding the party with the most votes in an election a majority of seats in parliament, even if the party receiving the most votes only had a quarter of them. In the 1924 elections, blackshirt intimidation and violence at polling places ensured Fascist control of the legislature. That year, an outspoken critic of Fascism, the socialist deputy Giacomo Matteotti, published a book called The Fascisti Exposed: A Year of Fascist Domination, and he spoke more than once before the Chamber of Deputies and Parliament, denouncing Fascist interference in the election and declaring the results invalid. Within several days of his last such speech, he was abducted on his way to parliament by members of Mussolini’s secret police, and he was stabbed to death, his corpse abandoned outside of Rome and discovered two months later. The murderers were later discovered and put on trial, and there was much suspicion of Mussolini’s direct involvement. In a famous speech, early in 1925, Mussolini took responsibility for the murder and all other Fascist violence and essentially dared anyone to do anything about it. He soon outlawed opposition parties and did away with all pretense of democracy. This was the beginning of his outright dictatorship, more than two years after the March on Rome and more seven years after Mussolini first organized a Fascist Action Squad. So it seems, even by definition, according the original historical example, we should expect fascist coups to be relatively slow-moving.

Socialist Giuseppe Lemmi following his torture by Blackshirts.

I’m certain that I have probably picked up some new listeners who may not have gone back to listen to my more politically charged episodes, like 2022’s “The Perils of American Democracy.” To any who take umbrage with my comparison of Trump with Mussolini in this episode, though its unlikely you have made it to the end, I would reiterate what I said back in 2022. After January 6th, this is no longer a partisan argument. This is about concern for the future of our Republic and its democratic system, as many Republicans, to their credit, have themselves come to realize. I am not the first to have compared the former president to Il Duce. His style of politics and posturing of strength, lend weight to the comparison. It is hard to listen to reports about Rudy Giuliani saying in the days before January 6th that “We’re going to the Capitol. It’s going to be great. The president is going to be there. He’s going to look powerful,” without thinking of the original strongman, Mussolini. Mussolini and Trump both came to power on anti-establishment populist movements, as demagogues. While in power, they both leveraged mouthpiece media platforms to propagandize. Trump’s “America First” doctrine, regardless of its historical connection to fascism, can’t be viewed purely as a neutrality doctrine, like that for which the phrase was originally coined. Though in part it colored his isolationism and protectionism in trade policy, it most clearly expresses a sentiment about American nationalism, and in that sense, it is very similar to Mussolini’s description of Fascism: “Everything within the state, nothing outside the state, nothing against the state.” When criminal investigations into his political and business wrongdoing began, Trump called prosecutors “radical, vicious, [and] racist” and called on his supporters to rise up if legal action was taken against him. Some have compared this to the Matteotti Crisis, as it has been revealed Giacomo Matteotti was investigating Mussolini’s corruption in connection with Standard Oil when he was assassinated. And last but not least, in the wake of the recent assassination attempt on Donald Trump, when a gunman apparently knicked his ear and he wore large bandages on the minor wound during subsequent public appearances, it was widely compared with a similar incident in April 1926, when an Irish woman named Violet Gibson, otherwise an avowed pacifist, shot at Mussolini and grazed his nose. As was the case with Donald Trump, this attempt to destroy him, which must of course be condemned in a civil and lawful society, had the opposite effect of strengthening his cult of personality. Mussolini afterward appeared to the public on numerous occasions, waving to his Fascist mobs wearing an oversized bandage that covered not only his nose but spread across both his cheeks, a symbol of his strength in the face of opposition that could be seen even from very far away. Considering all of the, dare I say, weird parallels that can be made between Trumpism and Fascism, it is clearly not an inane or reckless comparison. There is a definite likeness that must make every American wary and influence their decision at the polls in November. Nor are these the only parallels that we all need to be aware of lest a dark passage of history repeat itself. For those of you who take issue with me comparing recent history to the rise of Italian Fascism, you’ll see that I can indeed take it further, as in part two I will compare recent events to the rise of Nazism in the Weimar Republic. So, yeah, I’m going there, and not fallaciously, but rather with serious and sober critical thought. 

This election year, remember, even if we cannot fairly call Trump an outright fascist, it is undeniable that he has for the last 9 years followed the fascist playbook in numerous ways. And that should be enough for all of us to shut him out of American politics forever.  

Further Reading

Ben-Ghiat, Ruth. “An American Authoritarian.” The Atlantic, 10 Aug. 2016, www.theatlantic.com/politics/archive/2016/08/american-authoritarianism-under-donald-trump/495263/.

Ben-Ghiat, Ruth. “Mussolini, Trump and What Assassination Attempts Really Do.” Politico, 3 Aug. 2024, www.politico.com/news/magazine/2024/08/03/assassination-attempts-mussolini-trump-00171825.

Ben-Ghiat, Ruth. “Trump’s Promotion of an Image of Strength After Assassination Attempt Borrows from Authoritarian Playbook.” The Conversation, 25 July 2024, theconversation.com/trumps-promotion-of-an-image-of-strength-after-assassination-attempt-borrows-from-authoritarian-playbook-235038.

Blinder, Stephen, “The Tragic Myth of America’s 2021 ‘March on Rome.’” Spectrum, no. 12, 4 June 2024, doi: https://doi.org/10.29173/spectrum251.

Bosworth, R.J.B. “The March on Rome 1922: How Benito Mussolini Turned Italy into the First Fascist State.” History Extra, 14 Feb. 2023, www.historyextra.com/period/20th-century/march-on-rome-mussolini/.

Foot, John. “The March on Rome revisited. Silences, historians and the power of the counter-factual.” Modern Italy, vol. 28, no. 2, 6 March 2023, pp. 162-177. Cambridge University Press, doi:10.1017/mit.2023.5

Greenway, H.D.S. “Trump’s Mussolini roots.” Boston Globe, 21 Oct. 2022, www.bostonglobe.com/2022/10/21/opinion/trumps-mussolini-roots/.

Marantz, Andrew. “Why We Can’t Stop Arguing About Whether Trump Is a Fascist.” The New Yorker, 27 March 2024, www.newyorker.com/books/under-review/why-we-cant-stop-arguing-about-whether-trump-is-a-fascist.

McGreevy, Nora. “The Little-Known Story of Violet Gibson, the Irish Woman Who Shot Mussolini.” Smithsonian Magazine, 22 March 2021, www.smithsonianmag.com/smart-news/1926-irish-woman-shot-benito-mussolini-and-almost-altered-history-forever-180977286/.

Nichols, John. “Trump Steals a Strategy From Mussolini’s Playbook.” The Nation, 1 Feb. 2022, www.thenation.com/article/politics/trump-texas-pardons/.

Dänikenitis – Part Two: Human Chauvinism

Erich von Däniken’s thesis, that extraterrestrials have visited Earth in the distant past and interacted with human cultures, is not in and of itself a ridiculous prospect. It should not be rejected based on any preconceptions or prejudices about such a theory, but rather on the basis of its weak, erroneous, and misrepresented evidence. The fact is that there is a long history to the scientific search for extraterrestrial intelligence, much estimable work has been done in this field, and there remains strong reason to believe in the possibility of alien life, theoretically, and out there, in the cosmos, rather than down here on Earth. Inventor and electrical genius Nikola Tesla believed at the end of the 19th century that radio communication could be established with extraterrestrial civilizations, and throughout the 20th century, this line of reasoning has developed into numerous SETI projects, SETI standing for Seach for Extra-Terrestrial Intelligence, and radio searches have long been a focus of such projects. Indeed, when such searches find anything unusual in our galaxy, the presence of extra-terrestrial life or technology is often the first conjecture that astronomers and scientists consider. Tesla himself mistakenly believed he had detected a radio signal from Mars, and similarly, in the 1960s, when the regular radio signals of a pulsar were first detected, astronomers labeled it LGM-1, for “Little Green Men.” Many noteworthy astronomers in the 1960s were preoccupied with SETI. In 1962, a Soviet astronomer, I.S. Shklovsky, wrote a major work on the topic, titled Universe, Life, Intelligence, and in 1966, Harvard astronomer Carl Sagan, a champion of science and skeptical thought, collaborated with Schklovsky on a revision and translation of his work, expanding the scope of the study, and publishing it for English-speaking readers under the title Intelligent Life in the Universe. This book introduced the concept to the public that intelligent life not only may exist but actually seems statistically probable, given the size and complexity of our galaxy. More than this, it suggested that there may be civilizations more advanced than our own, which have already achieved interstellar spaceflight. This notion had been around for a long time by then, and had been debated by scientists already, most notably by Enrico Fermi, among his fellow physicists at Los Alamos National Laboratory, where it is said that Fermi, during one such conversation, blurted out something to the effect of “Where is everybody?” Fermi set forth a paradox through the following chain of reasoning. If, considering the billions of stars in the galaxy and the likelihood that other planets could be found within the habitable zones of their solar systems, and therefore extra-terrestrial intelligent life is likely, it follows that, since many stars are far older than our own, and thus many of these civilizations would have developed interstellar travel in the distant past. Therefore, Earth should logically have been visited before by these ETs. On the surface, this reasoning seems like a slam dunk scientific theory to help support the ancient astronauts theory, but Fermi’s entire point was that there is no convincing evidence for such visitation, which is what makes it paradoxical. This is not something that is taken lightly by scientists and mathematicians. Paradoxes beg to be resolved, so many have since examined Fermi’s logic and even developed various equations and solutions to the problem. Much of Fermi’s reasoning was based on assumptions about the likelihood of multiple developments, not just the likelihood of habitable planets, but the likelihood of the evolution of intelligent life on them and the likelihood of their achievements in spaceflight. In 1961, astrophysicist Frank Drake developed an equation to better discern these likelihoods, taking into account most of these variables. Not only was the development of interstellar travel considered, but also the development of deep space probes. In 1972, Drake and Sagan had designed a message to be included on the Pioneer space probes that could potentially communicate something about humanity to extra-terrestrials who might encounter the probes after they left the solar system. They came up with a plaque of aluminum dipped in gold, representing humanity’s mastery of metallurgy. On it was etched a diagram of two hydrogen atoms, the math related to which would serve as the key for all further measurements, as the plaque also included a sort of map. A representation of our solar system was given, with the probe’s path shown, and a series of radiating lines was depicted that should allow for the triangulation of our Sun in relation to a number of pulsars. Lastly, two nude human figures were depicted, male and female and unfortunately both very white looking. Rather ridiculously, NASA insisted on erasing the line that depicted the woman’s vulva before the creation of plaque. So it really did end up representing humanity in that it reflects our numerous prejudices and small-minded hangups. A few years after the plaque was launched, astrophysicist Michael Hart proposed the Hart-Tipler conjecture, based on the idea that, if other intelligent civilizations had developed, then similar such probes, or more advanced, self-replicating probes, would have been encountered. His solution to the Fermi paradox is that no intelligent life exists other than humanity. An alternative theory that has developed is the firstborn hypothesis, that humanity just happens to be the first to develop intelligence and thus is the most advanced of all such civilizations. More recently, in the 1990s, another concept was proposed by one Robin Hanson, an economist, of the Great Filter, some obstacle to the development of intelligent life that has not been taken into account by the probabilities previously put forward. The most commonly agreed upon filter is abiogenesis, the emergence of life from non-life on a molecular, chemical level. Other potential filters include the development of high technology, which may not be as likely as assumed, and the potential that other intelligent civilizations simply depleted their resources and destroyed themselves. I think the last of these is very telling, since humanity itself, having never achieved interstellar travel, seems bound on a path toward resource depletion and self-destruction. But of course, ancient astronaut theorists don’t get this deep into the weeds in the scientific considerations of extra-terrestrial life. Erich von Däniken and all the talking heads on Ancient Aliens will just say there is evidence that aliens have been here, so there is no paradox. But in order to be actual evidence, and not mere talking points, it must be reliable and reproducible. And such evidence has never been provided. This is Historical Blindness.

In the Oscar-nominated documentary In Search of Ancient Astronauts, based entirely on the work of Erich von Däniken, host Rod Serling described New Guinea natives searching the skies for the return of WWII pilots, whom they worshipped as gods. What the film describes is what are called “cargo cults,” a term that is not really used anymore because it presupposes the confusion and primitiveness of the native peoples who developed the beliefs. The fact is that these beliefs typically revolved around the relative abundance of life when colonial powers arrived, bringing with them additional resources as gifts, or in the case of WWII, when outside forces, both Japanese and Allied, distributed and airdropped goods to the native islanders in order to gain their favor, since they were using their islands as airbases. What’s important here is that, the film suggests this is a parallel to the ancient aliens claim, but in reality, likely just off camera, abandoned airstrips and control towers, empty barracks and even actual planes, not straw models, were left behind on these islands. For this to serve as an analogy for ancient astronauts, it begs the question, where are the remains of the visitors’ technology, such as that left behind for Melanesian islanders to remember their visitors? This would be the reliable evidence that would make the Fermi paradox less paradoxical. What is von Däniken’s answer? It is just what you would expect. The pyramids, or other ancient monuments, all of which need no extra-terrestrial technology to explain. I just wrapped a 6-episode arc on pyramid nonsense, so I won’t spend much time on that. Von Däniken, predictably, claims that pyramids just appeared out of nowhere, with no historical precedent, which is just a lie, denying all archaeological evidence for the development of pyramid building from mounds to mastabas to step pyramids and the Bent pyramid to true pyramids and finally the massive Giza pyramids, built over natural rock outcroppings to aid in their construction. He repeats the often-repeated pyramidology nonsense of Charles Piazzi Smyth about pyramid measurements reflecting pi, which, of course, if it were true—which it’s not—would still not mean aliens were involved. And like many another pyramid huckster even today, he claims that it would not have been possible to move such large stones into place, or even to cut them. The simple truth, cutting through all the BS with Occam’s Razor and subscribed to by any Egyptologist and archaeologist who has studied the evidence is that the soft limestone blocks, which we know were quarried in Aswan, were cut using copper tools, including drills, chisels, and saws. Others protest that the hard granite used in the King’s chamber could not have been quarried with copper tools, and that’s true. Evidence suggests these materials were quarried using simple sand abrasion techniques, using quartz sand, and took far longer. And this is why only about one tenth of one percent of the materials used were granite. Again, no alien technology needed. Von Däniken protests that plentiful food would have been needed to feed all the workers, and this is true, but so what? Egypt was the bread basket of the Mediterranean, producing plenty of grain, and if we recall, even the earliest reports about the pyramid’s construction, told to Herodotus, were focused on how much food Khufu provided to feed his laborers. Von Däniken also suggests that wood was not plentiful enough to provide the rollers and sledges needed to move the stone blocks. First of all, hieroglyphic texts record that Egypt engaged in regular trade with Lebanon, importing a great deal of cedarwood. Good evidence for the commonality of wood was found in Tutankhamen’s tomb, wherein most of the artifacts were wooden. And second, it seems to me that if von Däniken protests that they didn’t have the wood they would need to move the blocks, then he is tacitly admitting that they could have moved the blocks if they had the wood, which they did.

Not only does von Däniken underestimate the ingenuity of ancient people, he also does not seem to understand exactly what modern technology is capable of. He says, “Today, in the twentieth century, no architect could build a copy of the pyramid of Cheops, even if the technical resources of every continent were at his disposal.” Yet in 1972, the Transamerica Pyramid in San Francisco was completed, towering almost 400 feet higher than the Great Pyramid of Giza. And starting in the 1990s, many other pyramids have been built, in Las Vegas; Memphis, Tennessee; and Long Beach, California. There’s even a Pyramid Shopping Mall in Malaysia. It begins to seem like everything appears to von Däniken to be ancient alien technology because he simply doesn’t understand technology generally. This is abundantly clear when he starts talking about Egyptian mummification as evidence of alien tech. He suggests, quite stupidly, that Egyptian mummification was a kind of suspended animation technology, that ancient Egyptians were preserving themselves so that they could be revived when the alien founders of their civilization returned. If von Däniken had really read up on Egyptian mummification, he would have realized that it’s not a high-tech practice at all, and no one could be revived from a mummified state. Egyptians removed the brains of those they mummified and filled their skulls with resin. They removed all their internal organs and put them in jars. And then they saturated the entire corpse in embalming fluid that solidified, such that mummies often had to be chiseled out of their sarcophagi. The resin mummifying King Tut had to be melted using paraffin lamps, bringing him to an astonishing 932 degrees Fahrenheit just to remove him from his coffin. Mummification was not an advanced technology based on any clear understanding of biology or life, and it’s unclear how aliens would have revived corpses with no brain, heart or lungs that were essentially filled with glue. But von Däniken himself clearly has little working understanding of biology, as much of his theory is predicated on the idea that humanity was somehow born of these alien visitors. Sometimes he suggests that aliens genetically engineered humanity, using terminology that betrays a rather poor understanding of genetics, though perhaps he may be forgiven, writing in the sixties. Modern genetic data going back 800,000 years as well as mass spectrometry techniques that allow the sequencing of ancient proteins from tooth enamel, has helped to rather thoroughly map out human lineage, which split gradually from chimpanzees some 9-7 million years ago, evolving slowly, branching from common ancestors, ever since. With this information, added to archaeological evidence that reveals the slow progression of stone toolmaking and the gradual domestication of plants and animals, there is simply no genetic or archaeological evidence to support a kind of sudden “artificial mutation” producing Homo sapiens, as von Däniken suggests. Ridiculously, though, he also suggests that it was accomplished more naturally, through good old-fashioned sexual intercourse. And I think it should be obvious that alien life forms, who evolved according to very different conditions, are extremely unlikely to be biologically similar at all, let alone that we’d be compatible enough reproduce. When von Däniken makes these mistakes, he is demonstrating what Carl Sagan called “human chauvinism.” As he explains, “The most likely circumstance is that extra-terrestrial beings will look nothing like any organisms or machines familiar to us.” But as Star Trek and Star Wars attest, we tend to think about all alien life as being humanoid, because it’s hard to imagine something intelligent that is unlike ourselves. Or as 17th-century Dutch physicist Christiaan Huygens put it, in a quote that Sagan and Shklovsky included in their book, “’tis a very ridiculous Opinion, that the common People have got, that ’tis impossible a rational Soul should dwell in any other Shape than ours . . . This can proceed from nothing but the Weakness, Ignorance, and Prejudice of Men.”

Among the monuments that von Däniken claims are evidence of his ancient and very humanoid astronauts are the Olmec colossal stone heads. I have discussed these before, in my series on Pre-Columbian Trans Oceanic Contact theories, since some suggest their facial features indicate that ancient Black Africans colonized the Americas, while others argue that their features suggest ancient Chinese contact with the Americas. Von Däniken looks at them and sees extra-terrestrials, though not so much because of their features. Rather, he is focused on their headwear, which he calls helmets in an effort to draw a comparison with helmeted astronauts. It’s as if he has never heard of headdresses. He does this quite a lot, pointing to the Tassili site in the Sahara desert, for example, where during a specific period, figures in prehistoric rock art are depicted with “round heads,” and calling them spacemen with a kind of quintessentially human astronaut’s helmet on. And one of the central pieces of “evidence” in his book, the monolithic mo’ai statues depicting humanoid figures that stare out to sea enigmatically from the shores of Easter Island, he also calls helmeted because some used to feature additional stones on their head, which again were not space helmets, as von Däniken imagines, but rather represented the topknots worn by chieftains of the Rapa Nui people. As he did with the pyramids, von Däniken denies the possibility that monuments such as the Olmec heads and the Easter Island mo’ai could possibly have been moved and erected by mere human beings. Of the Olmec colossal heads, he even says, “they will never be on show in a museum. No bridge in the country could stand their weight.” In fact, pretty much every Olmec head has been moved and displayed in museums—all four La Ventana heads, all 10 San Lorenzo heads, and others. Even when von Däniken was writing his book, several were on display in museums, so this is just another example of him blowing hot air. Likewise, he claims, much as he did with the pyramids, that first of all, the carving and moving of the mo’ai statues on Easter Island was impossible, and that they didn’t have the wood they would need to move them—yet another tacit admission that, if they had the wood, they could have moved them. And the British explorer James Cook, who first landed on the island in 1774, reported the presence of forests there. Regardless, all claims, by von Däniken or any other pseudoarchaeologist, that the Rapa Nui people could not themselves have quarried, carved, moved and erected the statues are outright lies. In the mid-1950s, during Thor Heyerdahl’s expedition to the island, the islanders explained exactly how it was done and even demonstrated it for him. They wetted the volcanic tuff to soften it, and carved it using teardrop-shaped hand axes. They moved it easily a hundred yards using a wooden sledge and walking the statue, as we might today walk a heavy piece of furniture or major appliance to move it. And they erected it by levering and rocking the statue and pulling on it with rope, so that they could place more and more rocks beneath it, forcing it slowly up and into position. It was a remarkable display of ancestral memory, megalithic monument building, and the ingenuity of ancient man. Von Däniken dismissed it by saying “archaeologists all over the world protested against this example,” which was strictly untrue. While some archaeologists suggested that damage to the base of the statue from walking it indicated this wasn’t the way it had originally been done, more recent experiments have brought the academic community around to the technique. Regardless, even if some slight variation was required to get it just right, the demonstration proved beyond any doubt that it could be done without extra-terrestrial intervention.

We see similar slipshod scholarship—and you can’t really even call it scholarship, since it’s more like anti-scholarship—in his other major pieces of “evidence” that he sees as working together to demonstrate the credibility of his thesis. One is the Palenque astronaut, a relief carved onto the sarcophagus lid of Pacal the Great, the Mayan governor of that region. I mentioned Pacal the Great and his sarcophagus before, since it was claimed by Ivan van Sertima that his even having a coffin was evidence of a cultural connection with Egypt, even though Pacal himself was not mummified. Well, nor was he an alien. The relief on his sarcophagus, according to von Däniken, is an unmistakable depiction of a man piloting a rocket, and by his description, it certainly does sound convincing. But of course, seeing it is a little different. What von Däniken fails to emphasize is that the “helmet” he says the pilot is wearing is an elaborate headdress that does not cover his face at all, that he is otherwise unclothed, save for a loincloth, that the only vaguely rocketlike shape, or rather tapering columnar outline within which this rocketeer is featured, is not aerodynamic at all, with numerous perpendicular appendages shown and various animal forms, serpents and birds, adorning it at awkward angles, even at its tip, where it would need to be more pointed. Nor is it even enclosed, with numerous gaps in its supposed hull, and the pilot himself even extending his head from it. If it were a rocket, then the astronaut rode it like a motorcycle, but with no helmet and no shoes on. All of this can be waved away as the result of Mayans simply not understanding the rocket technology, but the fact is that, when you compare this relief to other similar pieces of Mayan art, it is very clear that it is simply the result of the dominant artistic style, which saw tracery designs chiseled in to fill up the entire space, incorporating many of the same motifs, including the sacred maize tree and the plumed serpent bird, though tellingly, no other examples can be so mistaken for a rocketship. Additionally, with the idea of a “rocket,” von Däniken reveals that he is thinking of the rather old fashioned spaceflight technology of his own era. Where are the gyroscopic wheels within wheels capable of flight in any direction? Where are the flying saucers?

Of course, a discussion of von Däniken’s claims would not be complete without a refutation of his assertions regarding the Nazca Lines. If you are unfamiliar with these amazing geoglyphs in the Peruvian desert, they are essentially massive geometric shapes, mostly straight lines, as well as some animal figures, that were created in the distant past by removing the darker surface stones to reveal lighter colored soil beneath. The movement of these stones is not so very mysterious. Rather, it is the question of just how these geoglyphs were created when they cannot be truly observed except from the sky. They were first reported by a Spanish conquistador who thought they were trail markers in 1553, but the scope of them was not observed until Paul Kosok surveyed them by airplane in the early 1940s. This fact has led even scholarly archaeologists to consider somewhat surprising ideas, such as that ancient Peruvians had developed ballooning technology. As we will see, however, no such notions need to be entertained to explain their construction. First of all, they can be seen from nearby foothills. In fact, they were first seen for what they are by a Peruvian archaeologist looking down on the desert from a higher vantage, no flight required. And the discovery of ancient wooden pegs driven into the desert floor at the termination of some lines supports the notion that these massive glyphs were created using rather typical survey techniques. In fact, in 1983, noted skeptic Joe Nickell even proved that it was possible to do so, using the simple technologies available in ancient Peru. Working from a drawing of a geoglyph, they simply scaled it up, measured out a number of points, and connected the dots. The result was a very precise reproduction of the condor geoglyph. However, while it has proved very simple to figure out how these glyphs were created, needing no extraterrestrial or other advanced technology whatsoever, figuring out why has been trickier. Von Däniken scoffs that “Archaeologists say they are Inca roads. A preposterous idea!” In reality, no archaeologist suggests this. Among the many theories regarding their purpose, they are thought to be solstice aligned pieces of art that served ceremonial purposes, some sort of elaborate representation of star constellations or other archeoastronomy, or looms for the fabrication of extremely long textiles used for wrapping mummies. More mundane explanations suggest they were irrigation systems, or aqueducts, or markers for field division. Perhaps the simplest and most convincing is that they were involved in the worship of deities who were thought to supply water. If you want to catch the attention of the gods, then of course you mark out messages to them that can be seen from their abode in the sky. But even this, which alone should have been enough to excite von Däniken’s reckless theorizing, did not go far enough for him. Instead, he proposed the really preposterous idea that it was a “airfield.” Talk about preposterous! Once again, von Däniken thinks in terms of outmoded flight technology, that his ETs need landing strips and are therefore incapable of vertical takeoff and landing. Also, the lines are miles long, far longer than would be needed for even an airplane to land, and the desert soil there is too soft and sandy for an airstrip. And besides that, with no landing lights, all of these supposed airstrips would be rather useless as soon as the sun set.

What is abundantly apparent, when one really examines von Däniken’s writings and his claims, is that he is only a compiler of claims that others made before him, and as such, he is not even the best proponent of any of them. Nor is he a good judge of their credibility. This is evidenced clearly by the fact that, like other conspiracists, he includes known frauds and hoaxes in his books, spreading them without any critical examination of them, and presenting them as if they are convincing evidence of his thesis. Several such instances can be listed. One example is in Chariots, when he refers to a papyrus fragment discovered by Alberto Tulli, which talks about what sound like UFOs. In reality, the Tulli papyrus was lost, and then the fragment translated was only found in the 1950s, during saucer mania, and was likely a fraud. Another is his assertion in 1972’s Gods from Outer Space that he read the Book of Dzyan, a work of occult knowledge said to be found in Tibet and perhaps to have originated in the lost continent of Atlantis. Von Däniken says the book was alien in origin. In fact, the “surviving fragments” von Däniken read were a hoax, written by Helena Blavatsky. It was yet another esoteric work plagiarized from a variety of Eastern religious texts and occult sources. Yet another example is his promotion of the Ica stones, a series of engraved stones from Peru that appear in some cases to depict advanced technology. As it turns out, these stones were being manufactured by a Peruvian potter as tourist souvenirs, and von Däniken was aware that this potter claimed to be the manufacturer of the stones. He did not mention this at all, and instead chose to believe that the potter was lying about making them and that the stones were actually ancient. Lastly, in his 1973 book, The Gold of the Gods, he focused on the legend of Cueva de los Tayos, a cave in the Andes that is said to contain gold plates that tell the true history of humanity. This legend was begun by one Janos Móricz, who claimed to have explored this cave and seen the “Golden Library.” His claims spurred numerous expeditions, including one mounted by a Mormon group, who suspected that the gold plates must be the same ones Joseph Smith had translated the Book of Mormon from. In the 1970s, von Däniken too made a trip, met with Móricz, and made claims about having been taken to the cave and seeing the metal plates. However, in a later interview, Móricz said it was all a lie. Von Däniken had only been in town a few days and made up an entire story based on their conversation. He had even misrepresented photos as having been taken on that nonexistent expedition. As for the story itself, Móricz was a Hungarian nationalist with interests in Nazi occultist ideas, and it is generally believed that his Golden Library, which he never produced and which no later expedition ever found, was likely a hoax meant to promote his pseudohistorical ideas, as he claimed the Golden Library was created by an ancient Magyar civilization in Mesoamerica.

When confronted with the allegations of his lying, von Däniken merely said he had made it all up merely for dramatic effect. This is typical of his blithe deflection when confronted with his deceptions and misrepresentations. For example, in Chariots, he claimed a certain iron pole near Delhi must be alien in origin, calling it “an unknown alloy from antiquity” and claiming it didn’t rust. In fact, it was resistant to rust because it was relatively pure iron, but it did rust a bit. In 1974, a Playboy interviewer confronted him on this—as well as many other inaccuracies in his writings; it’s a great read that I recommend to anyone interested—and Von Däniken merely said he had made an error, saying “we can forget about this iron thing.” The interviewer pressed him on why he hadn’t made corrections to the text in subsequent editions, and von Däniken lamely blamed his publishers: “Oh, God, I have so many times tried to correct things, and my experience has been that the corrections are almost never made.” So in the end, by his own admission, his books are littered with errors and misrepresentations that no one has bothered to correct. Or as Carl Sagan said, “I know of no recent books so riddled with logical and factual errors as the works of Von Däniken.” So why, we must ask, are his theories still such popular mainstays of even mainstream entertainment like the History Channel and the Joe Rogan Experience? As Sagan said in his Foreword to my principal source, Ronald Story’s The Space-Gods Revealed: “The times are such that simplistic doctrines like von Däniken’s sell—even though they may represent, as I believe they do, a small but definite social danger.” And that social danger has only grown with time, doing more and more harm to our trust in science and history, and our recognition of outmoded racial ideas, until today it is a veritable social disease, and we find ourselves in the terminal stages of Dänikenitis.

Further Reading

Nickell, Joe. “The Nazca Drawings Revisited: Creation of Full-Sized Duplicate.” Skeptical Inquirer, vol. 7, no. 3, Spring 1983, skepticalinquirer.org/1983/04/the-nazca-drawings-revisited-creation-of-full-sized-duplicate/.

Story, Ronald. The Space-Gods Revealed: A Close Look at the Theories of Erich von Däniken. Harper & Row, 1976.




Dänikenitis - Part One: Wheels Within Wheels

In the public imagination, there is nothing outrageous about the idea that extra-terrestrials visited Earth and made contact with human beings, or even created human beings, in the ancient past. Indeed, it is such a common notion that we see it saturating the entertainment industry. For the last ten years or so, superhero films based on comic books have dominated the box office, and I’m not criticizing these entertaining films. I enjoy them. What’s interesting is that so many of them play with the notion of ancient contact with extra-terrestrials. The depiction of the old Norse Gods as actually having been inter-dimensional space aliens in the Thor films comes to mind. As does the 2021 film The Eternals, which portrayed a species of giant ancient aliens, the Celestials, who actually created humanity through genetic experimentation. A similar story was explored just this year in the final season of Star Trek: Discovery, resurrecting from an obscure episode of the nineties series Star Trek: The Next Generation a species called the Progenitors, ancient aliens who had created all life and all alien species in the Milky Way galaxy. We see it also in the 2012 film Prometheus, which expanded Ridley Scott’s Alien films’ mythology to reveal that a gigantic humanoid alien seen only as a skeleton in the first film was actually a member of an ancient alien species that had seeded the primordial Earth with its own DNA. Meanwhile, this popular trope, long exclusive to the realm of science fiction, has bled into the public’s understanding of history. In the nineties, the History Channel was thought of as the “Hitler Channel” with its focus on World War II docuseries, but in the 2000s, chasing viewers, it began to diversify into reality television and docuseries on more sensational topics, and in 2010, it premiered Ancient Aliens, which has become their tentpole program. To most, the series is a joke, the origin of numerous memes, usually involving the wild-haired UFOlogist Giorgio Tsoukalos, asking if a thing could ever be possible and then excitedly answering yes. The ancient aliens concept is now so thoroughly wedged into the zeitgeist that it seems impossible to dislodge it, to examine its claims and demonstrate its fundamental weakness in such a way that it might change minds. Even those who think the History Channel program is a joke may still believe that there is reason to think its underlying propositions are valid or convincing, especially with the juggernaut podcaster Joe Rogan frequently platforming people who promote the idea, like David Grusch, the congressional whistleblower who in the last year has made countless world-shattering claims about extra-terrestrials, none with actual evidence, including that aliens created humankind. Despite its ubiquity today, the notion of ancient aliens really only took hold of our imaginations in the 1970s. It was certainly in the 1970s that Marvel Comics legend Jack Kirby began to weave the notion of ancient aliens throughout the Marvel Universe. And this came in the wake of a major motion picture, 1968’s 2001: A Space Odyssey, with its iconic depiction of ancient alien contact with early humanity, as ape-like hominids learned the use of tools in the presence of a mysterious monolith. But it is not this film along that accounts for the vast popularity of this idea during the seventies. Rather, it can be traced back to the huge popularity of one book during that decade, and its author, who may himself have taken some inspiration from the Arthur C. Clarke short story “The Sentinel” that had inspired Kubrick’s film. In order to get to the root of the ancient astronaut theory that has become so entangled in modern thought, we must trace it back to its origin point, the primary vector for its propagation, and consider the actual arguments made in that book, Chariots of the Gods by Erich von Däniken.

In my series Pyramidiocy, on the myths and misconceptions about the Pyramids and ancient Egypt, I spoke already about the ancient astronaut theory as it relates to nonsense about the Great Pyramid, and I spoke specifically about Erich von Däniken. More importantly, here at the beginning of this series, I spoke about the origin of the idea of ancient alien contact with Earth, as it originated from some of the same people as had made up nonsense about ancient Egypt and Atlantis: namely Helena Blavatsky and other Theosophists. As I spoke about in my episode on the Religious Dimension of UFO Belief, there was a circuitous throughline, from the Christian mysticism of Emanuel Swedenborg to the spirit channeling of mediums to Blavatsky’s Theosophy. Swedenborg claimed to take spiritual journeys to inhabited worlds, Spiritualists claimed to channel not just ghosts but also extra-terrestrial intelligences, and the medium Blavatsky, claiming to have been tutored by enlightened beings and to have mental access to the Akashic Record, a hidden history of everything, fleshed out a timeline in which ancient aliens from the Moon and Venus helped mankind develop on lost continents. And of course, there was an element of white supremacy in her work, which focused so much on root races and the superiority of Aryans. Aside from the very specific claims of Theosophists, the notion of ancient aliens was really only toyed with, such as by Charles Fort, a well-known compiler of reports on anomalous phenomena, or “Forteana,” who speculated on the possibility that stories about demons could actually reflect visitation from otherworldly beings who had tried to colonize the ancient Earth. Both the claims of Theosophists and the musings of Charles Fort were influential on the young science-fiction author H. P. Lovecraft, who transformed the inchoate ideas into a cohesive science-fiction legendarium involving a “pseudomythology” that featured ancient monstrous deities from outer space who had long lain dormant. It’s thought that Lovecraft also took inspiration from Alfred, Lord Tennyson’s poem “The Kraken,” which spoke of that sea monster’s “ancient, dreamless, uninvaded sleep,” as well as from The Gods of Pegana, a 1905 collection of fantasy stories in which the author, Lord Dunsany, invented a pantheon that included a chief god that had been lulled to sleep and was expected to wake again. But we know that Lovecraft read Theosophical works, and much as those same works grew in popularity in late 19th century Germany, contributing to notions of the German inheritance of Hyperborean Aryan superiority, so too they may have contributed to Lovecraft’s white supremacist views, which showed through clearly in his fiction, with his rejection of miscegenation as an abomination depicted in stories about humanity being corrupted by inhuman bloodlines. As I explained before, all ancient astronaut theories descend from these threads, from Theosophy and the scifi of Lovecraft, and thus derive from racist ideas.

19th century art of the Kraken by John Gibson. The poem by Alfred, Lord Tennyson about this legendary monster of the deep may have inspired Lovecraft’s Cthulhu mythos.

As is probably true of other widespread concepts and how they enter the cultural zeitgeist, the man credited with bringing the idea to the public’s attention, and who for most of his career has enthusiastically taken credit for originating the notion, really only repackaged the ideas of others who are now largely forgotten. In a very real way, Erich von Däniken is just a thief. He was born in 1935, in Switzerland. He was raised Catholic, but as a young man he rejected his father’s faith as he became more and more interested in UFOlogy. His willingness to resort to theft first showed in 1954, when he was convicted and given a four-month sentence for pilfering money from a camp where he worked as a counselor and from an innkeeper. His sentence was suspended, but a psychiatrist who examined him at the time declared that he showed a clear “tendency to lie.” His father pulled Erich out of school after his trouble with the law and apprenticed him to a Swiss hotelier, and von Däniken seems to have taken from his earlier brush with the law a sense that innkeepers were easy marks, for he was later convicted of embezzling money from his new hotel position, this time serving nine months for the crime. Somehow, he managed to continue his employment in the Swiss hotel industry after this, and eventually he worked his way up to becoming the manager of the Rosenhügel, a sports hotel in Davos. It was while employed in this position that he began to research and write the book that would eventually be published as Chariots of the Gods, under its original title Memories of the Future. More than a dozen publishers rejected his manuscript, but eventually, the publisher Econ-Vorlag took an interest in 1967. The publisher recognized that the book could potentially strike a chord with the public, tapping into modern ideas about extra-terrestrial life then being considered by great astronomers like Carl Sagan and reflecting the growing modern disbelief in God, which had become popular in the 1960s with the spread of the phrase “God is dead.”

The problem was that von Däniken’s manuscript was an unfocused mess. His publis’er thus brought on an editor, Wilhelm Roggersdorf, to improve it, and it was Roggersdorf who apparently rewrote the book and transformed it into the seminal work on ancient astronauts that it became. It is perhaps relevant to note here that Roggersdorf was a pen name, and this editor was actually Wilhelm Utermann, formerly a Nazi propagandist who had edited the Nazi Party’s mouthpiece newspaper. The connections between ancient astronauts theory and Nazi race ideology are many and various. But back to Erich von Däniken; it appears that while he had been managing the Davos hotel and working on the book, he took many an expensive trip to South America, for example, and to Egypt and elsewhere, seeing for himself some of the sites that he wrote about in the book. In late 1968, he was arrested for the third time, once again charged with fraud and embezzlement and also with forgery, for he had apparently been cooking the hotel’s books, stealing from the business and misrepresenting his finances in order to obtain loans to pay for his travels. His absurd defense was that he had meant no harm, that as a writer he could not help sacrificing his morals to pursue his obsessions, and that it was the job of the creditors he had defrauded to investigate his loan applications more thoroughly. Unsurprisingly, a psychiatrist appointed by the court declared him to be a criminal psychopath. But it mattered little. By this time, his ex-Nazi editor had turned his book into a sensation, and it had become the bestselling book in Germany. He was able to easily pay the court’s fines and his outstanding loans. Soon, “Dänikenitis” would sweep the world, as his book and the theories it promoted became a sensation, inspiring further books and documentaries, as well as the science fiction of comic books and films. According to German magazine Der Spiegel, who coined the term Dänikenitis, his success can be attributed mostly to “folly, fraud, and business acumen.”

Erich von Däniken in the 1980s.

Erich von Däniken has protested against the raising of his criminal record in the evaluation of his work. He argues first that he was innocent—all three times he was convicted of the same crimes—and second that his criminal record is not relevant to his theories. It is little more than an ad hominem attack, he complains, poisoning the well in order to unfairly put all of his arguments in doubt. I will grant this, but I raise his criminal past for historiological purposes, to demonstrate that his thievery (and I need not qualify that as alleged, since he was convicted of it every time), in order to draw a further parallel with his liberal borrowing of other people’s ideas. In the recent conclusion to my series on pyramid myths, I discuss the work of Jason Colavito, who traces the entire concept of ancient astronauts from Theosophy to von Däniken through Lovecraft by way of the French writers Louis Pauwels and Jacques Bergier, whose book Morning of the Magicians preceded von Däniken’s by nearly a decade. In it, Pauwels and Bergier suggest that “it is quite legitimate to imagine that ‘Strangers from Beyond’ have been to inspect our globe, and have even landed….” In a strikingly similar fashion to the Ancient Aliens meme, they write, “Have we already been visited by the inhabitants of Elsewhere?” and then immediately answer, “It is highly probable.”  And indeed, since so many examples and supposed pieces of evidence that von Däniken raises for his thesis were raised also by Pauwels and Bergier, Von Däniken was forced to include a citation for their book in the bibliography of later editions. Nor was this the only instance of von Däniken stealing from other writers and being forced to document them as sources only under threat of lawsuit. Very much the same thing happened with the book One Hundred Thousand Years of Man’s Unknown History by Robert Charroux, another French author who had taken up the ancient astronaut theory in 1963, five years before von Däniken’s book came out. While Pauwels and Bergier’s work was focused largely on compiling every weird fringe claim they could, with only passing theorizing on alien visitation in the past, Charroux’s work came to this explicit conclusion. After numerous chapters touting supposed evidence of lost continents and ancient high technology, he builds up to a chapter actually called “Extraterrestrials Have Come to Our Planet,” and this becomes a central argument. And he too partakes of the same sorts of rhetoric, ridiculously presaging the Ancient Aliens meme. When listing unsupported claims of there being a space base on the Moon, he writes, “Are we to conclude that these lunar craters have been frequented by extraterrestrial astronauts?” and immediately answers his own question, stating with confidence, “The possibility cannot be rejected.” Interestingly, not only did Erich von Däniken steal his thesis from these books, and nearly all the supporting examples that he discusses, he also takes from them his rhetorical style, which touches on his supposed evidence only In brief outline, then launches into long series of questions and thereafter moves on and refers back to the questions he raised as if they were solid points he has already established.

Von Däniken tries to preemptively address criticism of his arguments in his book by saying “Admittedly this speculation is still full of holes. I shall be told that proofs are lacking. The future will show how many of those holes can be filled in.” So let us look now at his supposed proofs and see how well holes have been filled in the 56 years since the book’s publication. One of the first pieces of “evidence” he raises is the Piri Re’is Map, which should by now be very familiar to my listeners. This map was actually only recently discovered, in 1929, when the old Imperial Palace of Constantinople was being turned into a museum. In the 1930s, it garnered scholarly attention, as it appeared relatively accurate for a 16th-century map, and the cartographer, Piri Re’is, an Ottoman navigator, makes mention in the marginalia of the map that he had based his map on a number of existing maps, Iing a now lost map created by Christopher Columbus. The entrance of the Piri Re’is Map into fringe pseudohistory came as the result of its depiction of a coastline that stretched both west and south of Africa. Clearly at least part of the landmass depicted is meant to represent South America, as Rio de Janeiro is unmistakably pictured. There are a variety of reasons why the South American coastline is thereafter depicted as sloping eastward, toward and beneath the African continent, the most obvious being that the rest of the continent had not yet been mapped. This, in conjunction with notions about terra australis and the hypothetical balancing of landmasses on the different hemispheres of the planet may have caused Piri Re’is to imagine the size and dimension of South America that way. Then there is the additional notion that, since the edge of the parchment used actually curves the same direction, he was actually just using the space available to him to depict the continuing coastline, without a real sense of its accuracy. But in the 1960s, a certain theory, championed by one Charles Hapgood, a New Hampshire state college history teacher, suggested that this was actually depicting Antarctica, and this false idea simply hasn’t been shaken. You hear Graham Hancock prattle on about it quite a bit, for example. Hapgood himself was more of a catastrophist, denying the science of continental drift and arguing that in the distant past, the Earth’s poles reversed, thus Antarctica was not always a frozen landmass. But like all the pre-Columbian trans-oceanic contact theorists and ancient lost civilization theorists who rely on his theory, his argument rests on the idea that the Piri Re’is map was based on some lost ancient maps.

The Piri Re’is map.

Pre-Columbian Trans-Oceanic Contact theorists attribute Piri Re’is’s source maps to ancient mariners, and lost civilization theorists attribute them to, you guessed it, lost civilizations. Ancient astronauts theorists attribute them to, you’re right again, ancient aliens. What’s ridiculous is that Piri Re’is describes his source maps on the marginal notes of the map itself, identifying them not only as Columbus’s lost map but also as being Arabic and Portuguese maps, as well as mappae mundi, or medieval Christian world maps. But ancient astronauts theorists take their claims about the map much further, declaring that it could only have been drawn from an aerial view of the world. Pauwels and Bergier suggested it first in their customary series of questions, asking, “Were these copies of still earlier maps? Had they been traced from observations made on board a flying machine or space vessel of some kind? Notes taken by visitors from Beyond? We shall doubtless be criticized for asking these questions.” Then Charroux followed suit, claiming, “As for the means by which the surveys were made…they could only have been aerial.” Von Däniken merely repeats them, and repeats their mistake in referring to the singular Piri Re’is map as a set of maps (another sign of his plundering of their material), and taking their claim that the map is suspiciously accurate even further, claiming it is “absolutely accurate” and asserting that originals of Piri Reis’ maps must have been aerial photographs taken from a very great height.” The precision of the Piri Re’is map is a blatant lie that can be easily discerned by anyone comparing it to an accurate world atlas. But it’s quite apparent that these authors weren’t too concerned with accuracy. Pauwels and Bergier wrongly state that Piri Re’is himself presented his maps to the Library of Congress in the 19th century, which would have been quite a feat for a 16th-century Ottoman. Von Däniken claimed that the map (or maps, in his verbiage) were discovered in the 18th century, only about 2 centuries off the mark. The closest was Charroux, who very specifically said the map was discovered in July of 1957, when in fact it was discovered in October of 1929. These inaccuracies seem to indicate that all these guys were careless in their research and perfectly willing to misrepresent facts in order to create mystery where it otherwise does not exist.

Keeping this in mind, let us move on to Erich von Däniken’s further claims in Chariots, which look much further back than 16th century maps, finding the presence of aliens in the Bible. Here he raises ideas that I have addressed ad nauseum in the past, such as that the Genesis story about the “sons of God” who fathered “Nephilim,” typically translated as giants, with human women is really a story about genetic engineering and hybrid species. If you want to hear all the reasons for us to doubt that “sons of God” even referred to angels, or that “Nephilim” even meant giants, or that any giants ever actually existed, I did a whole series about it a couple years ago called “No Bones About It.” Check it out. He also raises the idea that the Ark of the Covenant was a high-tech device, something I have touched on a few times. You can hear a great deal more about the legends surrounding the Ark in my episode The Whereabouts of the Lost Ark of the Covenant. He spreads the further interpretation that, the pillars of fire and cloud that led the Israelites out of Egypt were actually alien craft, and when God descended on Mount Sinai, it wasn’t just a thunderstorm, as the text would suggest, but rather the arrival of a spacecraft, all notions I have again discussed before, in my episode on the Religious Dimension of UFO belief  as well as in my recent episode on the Bible Code. In putting forth these claims, he moves away from his most obvious French sources, and instead borrows from the works of UFOlogists who had already raised the notion of certain Bible stories actually referring to aliens, such as Brinsley Le Poer Trench, who in his book The Sky People asserted that not only were the Nephilim a hybrid offspring of aliens and humanity, the creation of Adam and Eve was also just an experiment conducted by extra-terrestrials. Perhaps more influential overall on the ancient astronaut theory was Morris K. Jessup, whose 1956 book UFO and the Bible was the first to suggest that “There is a causal common denominator for many of the Biblical wonders; and …this common cause is related to the phenomena of the UFO.” You may remember me mentioning Jessup in regards to the connection made between his tragic suicide and the Philadelphia Experiment hoax. In his prolific writings, Jessup was one who anticipated the Dänikenitis to come. Another was M.M. Agrest, a Russian mathematician who wrote extensively on the prospect of “paleocontact,” specifically suggesting that the destruction of Sodom and Gommorah was actually the result of a nuclear detonation, as ancient aliens wanted to destroy their nuclear stockpile and thus warned the inhabitants of the cities to flee the coming atomic destruction. This claim came to von Däniken by way of Charroux, who repeats much of Agrest’s claims without question. What both should have asked is why these aliens wouldn’t just detonate their nukes somewhere uninhabited. They might also have asked why the destruction was described as fire and brimstone raining down, when a nuclear detonation would appear to be a rising cloud of fire. Many have been the theories about the historicity of the destruction of Sodom and Gomorrah, but this one is just ridiculous. A more rational one, published a few years ago in Nature, suggests that it may have been the result of a meteor strike, or more specifically, a cosmic airburst as is thought to have happened over Tunguska in the early 20th century. But of course, von Däniken and his French predecessors think the Tunguska Event was also the result of alien nuclear technology.

A late 16th-century depiction of the destruction of Sodom and Gomorrah

Perhaps most telling of Erich von Däniken’s desire to see extraterrestrials in Bible stories are his tortuous twisting of scriptures to fit his interpretation. It has been noted before, by Richter Jonas in a 2012 scholarly article entitled “Traces of the Gods: Ancient Astronauts as a Vision of Our Future,” that just as Greeks remade Egyptian and other mythology through their own lens, nterpretation graeca, and the Romans then reinterpreted Greek mythology to suit their own culture, nterpretation Romana, what Däniken seems to be doing could be called nterpretation technologica, reinterpreting myths to suit his own worldview. For example, he scours the scriptures for passages that might refer to spacecraft, and some are a real reach. His title, Chariots of the Gods, seems to derive from his creative interpretation of a couple Bible passages. One is Elijah’s translation into heaven, saying that he was taken up by a “chariot of fire.” In fact, what it says in 2 Kings is that a chariot of fire, driven by horses of fire, came between Elijah and his son, and then Elijah is actually carried into heaven “by a whirlwind.” Von Däniken keeps the chariot of fire image and does away with the whirlwind, because one seems to work with his argument and the other doesn’t. And more than that, he then inserts the chariot of fire image into other stories that never included it. For example, Enoch, whom the Bible only says “was no more, because God took him away,” but von Däniken, either in error or through purposeful transposition claims that “according to tradition, [Enoch] disappeared forever in a fiery heavenly chariot.” Likewise, von Däniken saw in Ezekiel’s vision of God a detailed description of an alien spacecraft, described as a “wheel within a wheel,” able to move “in any of the four directions without veering.” Having spoken about this vision before, in my episode on UFO religions, you may already realize that this description in Ezekiel’s inaugural vision was of God on his throne, carried aloft by angels. Nine chapters later, when again Ezekiel sees these living creatures beside the wheels, he explicitly says these were cherubim. More than that, these flaming wheels within wheels, which are covered in eyes, came to be identified with the Throne itself, a class of angels called ophanim. What makes Von Däniken’s discussion of this vision less than honest is that he again omits whatever doesn’t work well with his interpretation. For example, he only partially quotes Ezekiel 1:1, including “the heavens were opened,” but omitting “and I saw visions of God.” He is misrepresenting his sources, cherry-picking only what makes his claims sound convincing, and this is characteristic of all his work, as we will see in Part Two of this series. What’s curious to me is that, though he renounced his religious background and his efforts to undermine the religious views of his father are clear in his work, he nevertheless seems to understand his ancient astronaut theory as a kind of religious view. He has said that the basis of his theories first came to him in visions during his incarceration. And though he claims to be challenging orthodox science with legitimate scientific evidence, when he defends his claims against criticism, he tends to refer to it as if it is religious belief and therefore unassailable. “[W]hen I compare it with the theories enabling many religions to live unassailed in the shelter of their taboos, I should like to attribute a minimal percentage of probability to my hypothesis,” he says, which is just a convoluted way of saying his ideas may not hold water, but they’re at least as believable as religion. And when, in an interview, he was directly confronted about his cherry picking, he said, “It’s true that I accept what I like and reject what I don’t like, but every theologian does the same.” It almost seems like von Däniken never really believed his claims about ancient astronauts and only expressed them as a kind of satire of religious belief. Were it not for the fact that he has led so many to believe in his theories, I might actually appreciate them as an elaborate refutation of religion.

Until next time, remember, whenever someone like von Däniken or Hancock tells you that they are unfairly criticized by “orthodox” academics simply for “asking questions,” that means their ideas have been disproven and they’re resorting to claims of being victimized just to save face. Von Däniken did not write Chariots of the Gods in good faith. He knew before its publication that it would be refuted. That’s why in the first paragraph of his introduction, he says “scholars will call it nonsense” but sets up himself and those who will believe him as somehow better than all experts, saying in his first sentence, “It took courage to write this book, and it will take courage to read it.” And I guess it does take a kind of misplaced courage to be insistently wrong in the face of all contrary evidence. Or maybe we call that obstinacy, not courage.

Further Reading

Gershon, Livia. “Ancient City’s Destruction by Exploding Space Rock May Have Inspired Biblical Story of Sodom.” Smithsonian Magazine, 22 Sep. 2021.

Colavito, Jason. “The Origins of the Space Gods: Ancient Astronauts and the Cthulhu Mythos in Fiction and Fact.” 2011, www.jasoncolavito.com/uploads/3/7/5/9/3759274/the_origins_of_the_space_gods.pdf

Richter, Jonas. “Traces of the Gods: Ancient Astronauts as a Vision of Our Future.” Numen, vol. 59, no. 2/3, 2012, pp. 222–48. JSTOR, http://www.jstor.org/stable/23244960. Accessed 12 July 2024.

Story, Ronald. The Space-Gods Revealed: A Close Look at the Theories of Erich von Däniken. Harper & Row, 1976.

 

Ancient High Technology - Part Two: Electric Boogaloo

Ancient lizard people and their lost advanced civilization: that is what the Silurian Hypothesis, a scientific thought experiment, is based on. The Silurian age is a geological period of about 24 million years, falling between 443 and 419 million years ago, but that really has nothing to do with it. Rather the Silurian Hypothesis takes its name from a fictional species of reptilian humanoids whose civilization existed at the dawn of human evolution, who went into hibernation in order to survive the cataclysmic event of the moon’s formation, when an object or objects crashed into the young Earth around the beginning of our solar system, flinging debris into orbit and thereby creating our earthly nightlight. Of course, the name of this fictional reptile species was borrowed from the Silurian geological age, but that’s not when any of those things happened. And those with some working knowledge of the geologic timescale will recognize that the dawn of humanity did not occur anywhere near the time of the moon’s formation. The moon is estimated to have taken form about 4.5 billion years ago, whereas humankind only developed within the last hundred million years or so, whether you’re counting from the appearance of primates or the emergence of hominids. But it’s close enough for the British sci-fi series Doctor Who, which is where this fictional story was told. No offense to Doctor Who fans; I love Doctor Who, and I’m very much enjoying Ncuti Gatwa’s Doctor. But you may be wondering what kind of scientific thought experiment could be based on such a story. In 2018, two astrophysicists, Adam Frank and Gavin Schmidt, published a paper in the International Journal of Astrobiology in which they asked the question how science might go about detecting such a civilization as was imagined in Doctor Who—an advanced civilization that existed in the distant past, all remnants of which would have been destroyed by cataclysm or simply by the natural changes of the Earth. They concluded that direct evidence for such a civilization, such as pieces of their technology, would likely never be found on the Earth’s surface, as tectonic activity and erosion would wipe it out of existence. While they did theorize that, should such a civilization have developed space flight, we may be able to find their technological artifacts on the Moon or on Mars, here on Earth, we would be more likely to discover only trace evidence of such a civilization deep underground, such as nuclear waste or plastics. Or we might be able to see signs of their activity in the geologic record, through the chemical anomalies in sedimentary layers or by detecting periods of climate change in the past that may have been triggered by their technology. Now, one might take the Silurian Hypothesis one of two ways. You might take it as support for the perspective that, if there ever was a lost ancient civilization with advanced technology, scientists would come up with a way to detect it. Or you could take it as evidence that a lost advanced civilization can disappear without a trace, all evidence of it easily going unrecognized by science. If you are of the latter mind, then before you apply this thought experiment to the most popular claims of a lost ancient civilization with advanced technology that are propagated today, most vocally by Graham Hancock, you must recognize that the Silurian Hypothesis is talking about what evidence such a lost advanced civilization might leave behind if it existed millions of years ago, about 2.5 million years ago to be more specific. Whereas Hancock imagines his technological Atlantis to have been destroyed only about 13 thousand years ago. Unlike the hypothetical civilization of the Silurian Hypothesis, we cannot blame erosion and tectonic activity for entirely erasing all evidence of such a Stone Age civilization. More precisely, this would have been a Mesolithic civilization, and archaeologists have excavated and studied many Mesolithic sites, as well as even more Paleolithic sites, finding plenty of stone age artifacts, and no evidence of high technology anywhere. Does this lack of compelling evidence dissuade Hancock and other proponents of lost high-tech ancient civilizations? I think you know the answer to that question already.

For as long as the subject has been studied, ethnologists and folklorists have puzzled over the apparent migration and diffusion of similar mythological traditions. Why do strikingly comparable myths appear in surprisingly distant and separate cultures? It has long been the goal of comparative mythologists to note these likenesses and to theorize about the migration of these stories. In more recent years, the method of genealogists has been leveraged to assemble family trees identifying specific elements of myths, or mythemes, and this “phylogenetic” analysis of mythology has led to the conclusion that many myths and folktales date all the way back to the Paleolithic period and even reflect Stone Age cave art. Now, it seems to me that, if there really were a technologically advanced civilization during this time period, especially one that interacted with less advanced peoples, the way Graham Hancock and other proponents of the theory claim, that some trace of them and their technology could be found in surviving mythology. Of course, this is the bread and butter of lost high tech ancient civilization theorists, who lack actual concrete evidence and instead rely on myths about cataclysms as evidence of the loss of their supposed civilization, or about gods coming from the sky or from the sea to suggest those gods must have been the technologically advanced people, but let’s examine that further. Certainly there are widespread myths about a flood cataclysm, but this may be simply explained as a reflection of local flooding disasters, since there is not geological evidence of a global flood, as I spoke about in great detail in my episode The Deluge and the Ark Seekers. And in general, myths about disasters are common simply because, when a natural disaster affected ancient peoples, whether it be a flood, an earthquake, the landfall of a hurricane, or the eruption of a volcano, they tended to remember it and think it happened because their deities were upset with them. So disregarding mythemes related to natural disaster, what I’m looking for are mythemes that actually indicate some sort of advanced technology, wielded by people or gods, in the distant past. Of course, Hancock and others go to the Atlantis myth, but there is compelling reason to view that whole story as Plato’s allegorical twist on flood narratives, as I’ve already discussed. And surprisingly, there is little to suggest the presence of really advanced technology in Plato’s story. There is mention of seafaring, canals, and metallurgy, all technologies common in Plato’s time, and there is no indication of this being an element of previous flood narratives. Some, including Hancock, may want to point out that the bene ha-'elohim, or “sons of God” of Genesis are said to have imparted forbidden knowledge to mankind before the flood of Noah, but this was a much later, apocryphal addition to the narrative, when these figures were called Watchers, and the forbidden knowledge they are said to have given to mankind had to do with crafting weapons and jewelry and making colored dyes for make-up, things that again were commonly known at the time of the tradition’s appearance and also certainly aren’t what we would consider advanced technology. Really the only mythological tradition I can find that definitely seems to depict an advanced technology is that having to do with the creation of artificial life. Hephaestus, the Greek god of craftsmen and metallurgy, is said to have built, basically, a giant robot, Talos. This giant bronze android, tasked with protecting the island of Crete, was even described as having specific workings, with a kind of fuel or oil line: a tube that carried ichor, the blood of the gods, from his head to his ankle. While this is certainly interesting, the story cannot be traced any further back than about 400 BCE, and a story of one giant robot, even if it were traceable back to the Stone Age, would not really stand as evidence of a technological society.

Talos, the Bronze Giant, as depicted in the 1963 classic, Jason and the Argonauts.

What then would stand as evidence of a lost ancient technological society? This is the question. For a lost technological civilization of the Stone Age or later, we need not dig deeply beneath the Earth to test sediment for nuclear waste, as we would to find evidence of a civilization from 2.5 million years ago. Rather, you would just provide the same sorts of archaeological evidence that is used to establish the existence of and reliably date any other human settlement. We would need evidence of their material culture, as in artifacts and tools, as well as structural remains, and we would need reliable dates for them, through carbon dating or stratigraphy. In the case of a technologically advanced civilization, the structural evidence and artifacts must do the heavy lifting, demonstrating their high technology. Not only that, but to prove this technological civilization was globe-spanning, which is a typical claim about ancient advanced civilizations generally and Atlantis in particular, these cultural layers must be found at comparable stratigraphic layers in numerous places all over the world, or the material culture left behind must be dated to a comparable age using other scientific means. Linguistic evidence would be useful not only to establish any degree of technological advancement but also in connecting geographically distant cultures, as a common or related language present at numerous sites would help to establish the presence of this advanced culture’s presence around the world. Skeletal evidence would also accomplish this, as DNA could prove the genetic relation between these distant peoples. Of course, none of this has actually been found. As for the material culture of a technological society, I can already imagine some arguing that actual technological devices might have existed and simply have not yet been discovered. I will grant this, especially since no evidence of hand-powered orreries or astronomical calculators was known to exist before the Common Era until part of one was discovered near Antikythera in the 20th century. However, if we really think about this argument, it contains its own refutation. You could say that anything might have existed and we just haven’t found evidence of it yet. Unicorns and dragons may have existed and we haven’t found the evidence yet. This is essentially the argument for Bigfoot’s existence. But this is a tacit admission that no evidence exists, which means there is no good reason to believe it existed. Moreover, I would take that fact that only one such device as the Antikythera mechanism has ever been found and was not discovered until the 20th century as a further refutation of any claims about ancient advanced civilizations, as the very rarity of it, as well as the sense we get from Cicero’s remarks about such orreries, indicates that such devices were outliers. If devices like that had been common in the distant past, as would be the case in a truly advanced technological civilization, I imagine we would find them at Stone Age habitation sites, not just in Roman shipwrecks. So just as I asked where all the giant bones are when I looked at the myth of ancient giants, I now ask, where are all the ancient technological devices? Or even the depictions of technological devices in ancient art?

Lost ancient civilization conspiracists love to point to one or two totally unrelated and usually misrepresented finds to argue that, actually, evidence of advanced technological devices has been discovered. The only artifact typically pointed to is the “Baghdad Battery,” whose popular name is extremely deceiving. This terracotta pot discovered in Iraq, first of all, dates to the Parthian period, more than 10 thousand years after the supposed advanced technological civilization that Hancock and others propose. This dating also might be inaccurate, because the context of its find is not certain, so it may be of a far later origin, even medieval. Its lack of study in situ, within the context of an archaeological excavation, make it already a questionable find, and the claims made almost immediately about it by the head of the National Museum of Iraq make it even more dubious. The pot contained a rolled copper cylinder, within which was an iron rod, affixed within the cylinder using a bitumen plug. The director of the museum happened to have a pet theory that some gilded artifacts he had discovered were electroplated, and he theorized that the pot was actually a galvanic cell, used to generate electricity for electroplating, an electrochemical process for producing a thin metal coating. Subsequent testing showed that some acidic substance had formerly filled the jar, such as wine or vinegar, further fueling speculation that it was a battery using a primitive electrolyte. In fact, using reproductions of the pot and lemon juice as its acidic agent, MythBusters was able to prove that such a device could produce an electrical charge. However, it only produced about one volt, not enough for the purpose of electroplating, nor have any devices for the conducting of that electricity, such as wires, ever been discovered, and most importantly, the museum director’s theories about Mesopotamian electroplating have since been disproven due to a lack of electroplated artifacts. What exactly was this pot, then? Along with this terracotta pot apparently three others were found, two with similar copper cylinders and one containing parchment. This has led to suggestions that the jars were intended to preserve parchment, though it’s unclear how the copper cylinder and iron rod facilitated this, and the traces of wine/vinegar in the one jar certainly indicates that those with the cylinder were used for something else. One recent theory, that it was used for pain relief, as a kind of mild electrotherapy, is interesting, but again, it would seem to require some actual conductor, and since the bitumen plug appears to have covered the iron rod in the cylinder, its not even clear that there was a connector or head of any sort. The simple fact is that we don’t know for certain what it was used for, and we may never know, since it was looted and disappeared during the U.S. invasion of Iraq in 2003. If I were asked to speculate, I would say traces of wine or vinegar might indicate that the pots were used to store or even ferment wine, and the well-known use of copper to reduce the unpleasant smells produced by fermentation and to mediate oxidation, thereby decreasing the intensity of the wine’s aroma, along with the fact that clay pots have been used to ferment and age wine since the Neolithic age, causes me to suspect these were just wine crocks. I have not been able to find this idea actually discussed anywhere, so I’m not sure if I have originated it or if it’s fundamentally flawed in some way, so take it for what it’s worth. What I do know is that there is no evidence whatsoever that it was a battery used to power electrical devices.

A reproduction of the “Baghdad Battery” artifact, in cross-section.

Those who try to claim that the Baghdad Battery actually was a galvanic cell used to power ancient electrical devices long before the 18th century, when electricity was first harnessed, often find as their evidence not an actual electrical device but what they claim is an artistic depiction of one. You may be thinking, “Artwork depicting an electrical device in a Parthian era archaeological site? Surely this proves the battery theory!” but this was not in Iraq, nor was it in an archaeological site associated with the same time period. Rather, it was found in a temple that is at least a couple hundred years older than the Baghdad pot, maybe several hundred years older if the pot is from a later period, as some suspect, and it’s located more than 1700 kilometers away, in Dendera, Egypt. Egypt! Some might excitedly exclaim, for if there were ever proof of ancient advanced technology that may have been imparted by a lost civilization like Atlantis, it must be there, right? Well, trudge with me back to the desert to find out more about the also very deceptively named “Dendera Light.” There, in the Temple of Hathor, a massive holy site boasting tons of hieroglyphs, some reliefs depict an object that the fringe claim is a big, elongated lightbulb! When I men big and elongated, I mean it is larger than any figure in the carving, which we could attribute not to the literal size of the thing but to hieratic scale, making it larger to emphasize importance. However, regardless of hieratic scale, this supposed light bulb is shown in each depiction as being held up by two to three people and sometimes a djed, which is a sort of symbolic pillar in Egyptian art. However, as is abundantly clear just from looking at it, the “bulb” in the reliefs is coming not out of a socket attached to a wire, but rather out of a flower on a vine, and the supposed filament seen within the bulb is clearly a snake. Promoters of this claim, which actually did not appear until 1992 in a German book produced by two ancient astronaut theorists called The Light of the Pharaohs, argue that these are only stylistic representations of a real, working lightbulb. But the hieroglyphs around these glyphs explain exactly what they are depicting, the Egyptian creation myth: a snake born from a lotus flower. The “bulb” is here representative of a womb, but in the many other depictions of this creation myth to be found in other Egyptian art, no womb is seen, just a snake emerging from a lotus vine, looking nothing like a lightbulb. With the literal inscription itself that you’re pointing to as evidence telling you you’re wrong, you’d need to have some compelling evidence beyond “It sure looks like a snaky lightbulb,” so what further evidence do pseudohistorians rely on to prove that Egyptians had electrical lighting, since no actual electrical devices are to be found and no electrical infrastructure actually exists, like those pesky wires and sockets they’d need. Well, one 19th century archaeoastronomist, Norman Lockyear, who helped to popularize ideas about astronomical alignments of ancient monuments, mentions in his book The Dawn of Astronomy, that “in all freshly-opened tombs there are no traces whatever of any kind of combustion…” further remarking that in discussing this, his friend “laughingly suggested the possibility that the electric light was known to ancient Egyptians.” This remark, clearly made in jest, and its indication that there was a distinct lack of lampblack or soot in these sites, has actually been touted as evidence for Egyptian knowledge of electricity. Actually, just before that, Lockyear offers a simple explanation, that “doubtless all inscriptions in the deepest tombs were made by means of reflected sunlight,” and this theory, of “a system of fixed mirrors” is still subscribed to by some Egyptologists. However, there is a simpler explanation, supported by archaeology and Egyptian texts themselves, that Egyptians added natron pellets, or salt, to the castor oil in their lamps, which created a smokeless fuel, no lightbulbs or electricity needed.

When it comes to claims about advanced Egyptian technology, specifically having to do with energy like electricity, you cannot get much more extreme than the claims of Christopher Dunn, who just happened to be platformed by Joe Rogan a couple months ago. I spoke about Dunn’s claims briefly in the conclusion of my Pyramidiocy series, as they were promoted by Billy Carson. Essentially, he argues that the Great Pyramid of Giza was designed to be a hydrogen generator, which generated electricity through the vibration produced by water beneath the pyramid. His theory further relies on the use of hydrogen gas to produce microwaves, making of the pyramid a kind of hydrogen maser, which if you’re not familiar is basically an acronym like laser, but referring to microwave amplification by stimulated emission of radiation rather than light amplification. Dunn puts it succinctly himself in the summary of his 1998 book The Giza Power Plant, “Facilitated by the element that fuels our sun (hydrogen) and uniting the energy of the universe with that of the Earth, the ancient Egyptians converted vibrational energy into microwave energy.” Like other pyramidologists, Dunn recycles old ideas, and he’s understandably rather cagy about where his claims originated. First and foremost, his theory relies on outdated ideas about a watercourse running beneath the pyramid, and a long debunked pseudoarchaeological claim that the pyramids were designed to pump water up from below. This theory was first floated, so to speak, by Edward Kunkel, in 1962’s Pharaoh’s Pump, which claimed that fires were built in the King’s Chamber, which would draw water upward. Not only is there no evidence of the scorching that such fires would have created, and not only would such fires not provide the suction necessary to pump water so high, but also, despite what pyramidologists like to claim about how tightly the stones in the pyramid fit together, the shafts and chambers of the Great Pyramid are not watertight. Dunn’s further claim that about the use of hydrogen is predicated, like most pyramidology, on his creative interpretation of measurements. One shaft within the Great pyramid is 8.4 inches wide, and he points out that the wavelength of hydrogen is 8.309 inches and therefore must be a wave guide. Well, for a wave guide to work, it must be lined with metal, which Dunn says it must have been with no evidence that it was. But more than this, just as the pyramid stonework is not watertight, it is not airtight and would not hold the hydrogen gas that he says, again without evidence, the Egyptians pumped into it—never mind that we have no reason to think Egyptians could manufacture or even contain hydrogen gas. In other words, for his whole theory to hold water, so to speak, the entire interior of the pyramid would have had to be lined with airtight metal. Dunn’s claims culminate with the further claim that the pyramid’s production of microwave energy was for the purpose of its wireless transmission to power electrical devices, something like Nikola Tesla’s Wardenclyffe experiment in the beginning of the 20th century. And predictably, he cites the Dendera light as an example of something that might be powered by this wireless energy, even though, as we’ve seen, there weren’t any such lights. So what we’re left with is a claim that the Pyramid could have worked as a power plant if they had the water needed, the pumps necessary, the hydrogen gas required, the impermeable lining throughout the pyramid to make it possible, and also technological devices to which it might transmit that energy. And that is a lot of missing pieces, not to mention the fact that shafts he says were used in this power plant were actually closed off, and the further fact that this idea of his doesn’t work for any other pyramids, which would mean they decided to make a power plant in the shape of a tomb just next to other tombs.

One of the Dendera reliefs mistaken for depicting a big light bulb.

Finally, having exhausted the explicit claims about ancient knowledge of electricity, I find myself drawn back to the claims of Graham Hancock. Inevitably, I will probably have to take on his and others’ claims about Atlantic and a lost ancient and technologically advanced civilization in more detail in some future series, but at this point I’m fatigued by them. All I will say, overall, is that regardless of the many claims he makes throughout his books and Netflix docuseries, he simply never provides the evidence necessary to prove his claims, that being the material culture and skeletal evidence with reliable dating to prove the existence of a world-spanning advanced civilization at the end of the last Ice Age. What I want to address here, at the conclusion of this series, are his claims that the lost civilization he proposes was technologically advanced. To go back to the original story of Atlantis, from Plato in his Critias, not much in the way of advanced technology is hinted at. They were said to have been a seafaring people, and depending on the sophistication of their vessels and navigation methods, this could definitely be seen as technologically advanced 12,000 years ago, but what evidence does Hancock provide? He points to 16th century maps, including the Piri Reis map. Hancock claims that the Piri Reis map was based on source maps that are now lost, and without any evidence or real reason, he claims those source maps go all the way back to his Stone Age Atlantean mega-civilization. With this claim, he argues that knowledge of previously undiscovered parts of the world were actually passed down from those Atlantean seafarers. I’ve talked about the Piri Reis map before in connection to Pre-Columbian Trans-Oceanic Contact theories. There are simple explanations for its depiction of both the Caribbean and South America, which Graham Hancock mistakes for Antarctica. The most relevant of these is that the mapmaker was working with a source map from Columbus’s voyages. And no matter how many 16th century maps Graham Hancock turns up with curious aspects on them, there is no explaining why some Atlantean source maps from the Stone Age would go unnoticed and unremarked on for 12,000 years and only be used by cartographers in the 16th century during the Age of Exploration, when we know that new maps that could be used as sources were being created.

Perhaps the best argument that Hancock comes up with relates to Göbekli Tepe, a Neolithic archarological site in Turkey. Dating to 11,600 years old, this was shown to be the oldest megalithic site in the world when it was first studied in depth in the 1990s, though Karahan Tepe, another site in Turkey, has been shown to predate it. What makes these sites so astonishing is that during this time period, before the development of agriculture in most parts of the world, humans were hunter-gatherers, and thus typically migratory and unlikely to stay in one place, building permanent structures like this. Honestly, it is not surprising that Hancock would seize on Göbekli Tepe, which looks at first blush like just the sort of evidence his theory might need, in that it’s almost 12,000 years old and definitely constitutes material culture. However, it does nothing to prove his globe-spanning Stone Age civilization hypothesis, and since by his theory, Atlantis was destroyed about a thousand years earlier, in a cataclysmic comet strike during the Younger Dryas period, he finds another way to spin the find. He suggests that Göbekli Tepe is evidence that an advanced civilization taught agriculture to the hunter-gatherers of the Stone Age, and it therefore stands as evidence of Atlantis’s civilizing influence on less advanced cultures. Well, this is the reason that Graham Hancock is accused of spreading racist ideas. I spoke about this in my episode on the Myth of a Lost Mound Builder Race, as claims that some indigenous people could not possibly have built certain monuments or structures, or developed agriculture, without the civilizing influence of a superior race, is just fundamentally, historically racist. As hard as Hancock tries to rephrase his claims to avoid this, it still stands at the heart of his theories. And regardless, there is no evidence that the builders of  Göbekli Tepe had developed agriculture. Rather, archaeologists believe it was built by nomadic hunter-gatherers as a sanctuary rather than as a permanent dwelling place. And though Hancock and others rail against “orthodox” archaeologists refusing to change their views of prehistory, and even resorting to cover-ups to hide finds that challenge their established ideas, the very fact that Göbekli Tepe challenged views of hunter-gatherers, resulting in a new understanding of their culture in the Near East, proves that archaeology adapts to new information when evidence merits a change in our understanding. But Graham Hancock complains that scholars won’t accept his claims for which he offers no evidence. There is nothing connecting Göbekli Tepe or the people who built it to geographically distant sites, which we would expect to find if Atlanteans civilized the rest of the world as well, and more importantly, agriculture, the technology he believes they spread, clearly developed independently, as ancient agricultural civilizations had no common crop. If Atlanteans had really gone around teaching hunter-gatherers all over the world how to grow crops, it is odd that they wouldn’t have carried the same crops to every part of the world.

Göbekli Tepe

But this episode is really about the notion of lost high technology, and Graham Hancock doesn’t just suggest that his Atlanteans were technologically advanced compared to the hunter-gatherer cultures that he envisions Atlantis in contact with. This is not the difference between a crop-growing culture and a nomadic culture. In his own words, he imagines that a “realistic parallel for the level of science attained [by this proposed lost civilization] would be with Europe and the newly formed United States in the late eighteenth and early nineteenth centuries.” So what does that mean? Well, such a civilization’s mastery of electricity would only be in its beginning phases. But it would have mastered steam power and the mechanization of industry. It would seem that some folktales about such technology would have survived, but the most advanced technology Plato mentions his fictional Atlantis having mastered is metallurgy, specifically in regards to the mysterious metal orichalcum, which he claims “is now only a name and was then something more than a name,” saying it was more precious than gold, and birthing a legend about a lost or unknown metal. However, later writers, such as Cicero wrote about orichalcum being a kind of copper alloy. Whatever it was—a specific allow, a metal we now have a different name for, an ore whose mines were depleted—this element of the story does indicate ancient metallurgy. Though Plato describes nothing that could be interpreted as steam-powered machinery, certainly for any such machines to be made, mastery of metalwork is a prerequisite. So how could we prove or disprove the idea? Well, Graham Hancock recently arranged a debate with archaeologist Flint Dibble on Joe Rogan’s podcast, and when Dibble proved that Hancock had no evidence for his claims, Hancock went into face-saving mode, afterward saying he’d been conned by Dibble, even though Hancock had personally chosen Dibble as his debate opponent. Dibble simply pointed out that ice core analysis can prove when cultures were engaging in metallurgy and can determine whether there was industrial activity in a given historical age, as the ice would trap the emissions of such technology. After their debate, Graham Hancock only objected that the paper Dibble referred to in making this point did not actually test ice cores from the Stone Age, demanding that Dibble produce ice core evidence from the Stone Age to disprove his hypothesis. Well, that is not really how the making and supporting of claims works. The burden of proof is not on others to disprove the unsupported claims Hancock makes. He needs to produce ice core evidence that proves his thesis. This should now be the focus of his efforts, and he cannot claim that no one has taken such ice cores or that no one has studied them, as Antarctic ice cores going back two million years have been extracted and studied to learn about the content of atmospheric gases, with especial focus on the last 100,000 years. So if Graham Hancock can’t produce any such ice cores demonstrating that an advanced industrial civilization was engaging in metallurgy 12000 years ago, it’s because the ice cores actually stand as proof that this wasn’t happening, which is what all actual experts have been saying for years. And in the end, even Hancock admits there is not evidence for his theory. He may hem and haw that archaeologists don’t study enough sites or don’t investigate the right places to find the evidence he says is out there, but what reason is there to believe this evidence exists? When he admits that there is no evidence, what reason even is there for a debate on the topic?

Until next time, ask yourself, what harms might these pseudohistorical ideas cause? A friend recently suggested that Joe Rogan’s podcast is just the new Coast to Coast AM, and that I shouldn’t be bothered by the platforming of fringe claims on it. I in turn would argue that shows like Coas to Coast paved the way for the modern media dissemination of pseudohistory and pseudoscience that pervades our culture today and erodes trust in nor only academia but all important cultural institutions and even the concept of empirical knowledge and verifiable truth. It is harmful indeed.

Further Reading

Colavito, Jason. “Review of Ancient Aliens S06E22 ‘Mysterious Devices.’” Jason Colavito, 28 June 2014, www.jasoncolavito.com/blog/review-of-ancient-aliens-s06e22-mysterious-devices.

de Camp, L. Sprague. “Pharaoh’s Pump.” Technology and Culture, vol. 4, no. 1, Wayne State University Press, 1963, pp. 56–57, https://doi.org/10.2307/3101339.
Eggert, Gerhard. “The Enigmatic ‘battery of Baghdad.’ (Scientific Theories on the Ancient Uses of a 2,000 Year Old Finding).” The Skeptical Inquirer, vol. 20, no. 3, Committee for the Scientific Investigation of Claims of the Paranormal, 1996, pp. 31-.

Feagans, Carl. “Dendera Light Bulb and Baghdad Battery Nonsense.” Archaeology Review, 6 Nov. 2016, ahotcupofjoe.net/2016/11/dendera-light-bulb-and-bagdad-battery-nonsense/.

Keyser, Paul T. “The Purpose of the Parthian Galvanic Cells: A First-Century A. D. Electric Battery Used for Analgesia.” Journal of Near Eastern Studies, vol. 52, no. 2, 1993, pp. 81–98. JSTOR, http://www.jstor.org/stable/545563.

Schmidt, Gavin A., and Adam Frank. “The Silurian hypothesis: would it be possible to detect an industrial civilization in the geological record?” International Journal of Astrobiology, vol. 18, no. 2, April 2019, pp. 142-150. DOI: https://doi.org/10.1017/S1473550418000095.

“What the ‘Light Bulb’ Relief Means at the Dendera Temple.” The Archaeologist, 21 Jan. 2024, www.thearchaeologist.org/blog/what-the-light-bulb-relief-means-at-the-dendera-temple.

Ancient High Technology - Part One: The Archimedean Spiral

In 1900, sponge divers discovered a wrecked Roman cargo ship near the Greek island of Antikythera. This was a true instance of discovering sunken treasure. The following year, from within the wreck, the divers were able to recover numerous Roman coins, priceless jewelry, and statues of both marble and bronze, as well as a variety of other artifacts, glassware, pottery, and assorted unidentified detritus. Like real life Indiana Joneses, these divers surrendered everything to a museum: the National Museum of Archaeology in Athens, to be specific. There, the recovered artifacts were stored and slowly but surely analyzed. A year later, in 1902, an archaeologist at the museum was examining a rock that had been given to the museum with the rest of the items, and he noticed that a gear wheel appeared to be embedded within it. This artifact, surviving only as a fragment, was really no more than a corroded chunk of bronze and wood. Unfortunately, had it been treated as soon as it was removed from the saltwater, it may have remained in better condition, but even in its deteriorated state, it appeared to contain miniature gears like that of an astronomical calculator. This, however, did not comport with the archaeological record, as no such devices were known to exist until the 14th century. Nevertheless, all scientific analysis of the Antikythera Mechanism since this time has tended to confirm that this device was a sort of hand-powered orrery, its clockwork gears activated by a crank. Scientific testing began in the 1970s with simple X-ray imaging, and have continued to more recent X-ray tomography and CT scanning. Imaging has revealed not only previously hidden gears, but also faint inscriptions on what was once the outer casing. All of this data tends to confirm that this device was an astronomical calculator, designed to track the movements of both the sun and the moon, with indications that missing portions of the device also tracked the movements of all five planets known to exist in antiquity. Evidence suggests that the Antikythera Mechanism was used to predict eclipses as well as to determine the dates of Olympic Games. Numerous lines of evidence confirm that the shipwreck in which the Antikythera Mechanism was found dates back to around 60 BCE, with some dating the device itself as much as a hundred years older. With this, as well as mentions of such orrery devices in 1st century BCE Roman sources, it seems quite apparent that this is a genuine example of lost ancient technology, or a technology known in antiquity that would not be developed again for around 1500 years. Is it then reasonable to entertain other claims of lost ancient high technologies, such as those associated with the pyramids and other monument building cultures?

Last year, throughout much of my 2023 season of the Historical Blindness podcast, I devoted numerous episodes to the MacGuffins of the Indiana Jones films, concluding with one on the Nazi plunder trains, which served as the setting for the opening set piece of the latest film. Of course, the real MacGuffin of the new film, the Dial of Destiny, was the Antikythera Mechanism, which the film calls Archimedes’s Dial. In reality, the mechanism looks nothing like the well-preserved artifact depicted in the film, nor do any of the proposed reconstructions of the device really resemble the Dial of Destiny in the film. And of course, it was likely not designed by Archimedes to predict time rifts, as the film claims. But there is, in fact, some reason to associate the mechanism with Archimedes, ancient Greek mathematician and inventor who was so central to the latest Indiana Jones film. Some historical texts have actually been turned up that indicate such devices definitely did exist in Hellenistic Greece, and one of them mentions Archimedes by name. The Roman politician and orator Cicero seems to describe such a device in De re publica, referring to some kind of machine “on which were delineated the motions of the sun and moon…” and explicitly stating that “Archimedes…had thought out a way to represent accurately by a single device for turning the globe those various and divergent movements….” While this does appear to credit Archimedes with the invention of such a device, in another work, Cicero also describes such an “orrery recently constructed by our friend Posidonios, which at each revolution reproduces the same motions of the sun, moon, and the five planets that take place in the heavens every day and night.” In short, it’s not certain that Archimedes was the inventor of such devices, though he does seem to be the best candidate, as Pappus of Alexandria, writing hundreds of years later, mentions a work of Archimedes, called On Sphere Making, that apparently described the creation of such devices. At the time that the Dial of Destiny released, I did not see a feasible way to approach this MacGuffin. Simply put, I did not think I could stretch it into an entire episode, even with all the other bits in the film about ancient inventions that Archimedes had built, such as the weapons of war that Archimedes is said to have invented to defend Syracuse from Roman invasion. But I imagined that I could talk about both the Antikythera Mechanism and the Archimedes Weapon in an episode or series about these and other claims of lost ancient high technology. And of course, after my long series on pyramid myths, discussing the claims that some lost technology or lost advanced civilization must have been responsible for their construction, now just seemed like the right time. So you can consider this, in part, one further installment of my series on Indiana Jones MacGuffins, though maybe not the last, with the upcoming release of the video game Indiana Jones and the Great Circle, which I imagine is raising an old Victorian idea about ancient sacred sites being aligned around the Earth, so it could be interesting to do an episode on that next year. In the meanwhile, though, let’s consider, first, what evidence there really is for actual lost ancient technology.

A speculative reconstruction of the Antikythera Mechanism. Attribution: Tony Freeth, licensed under Creative Commons (CC BY 4.0).

The Antikythera Mechanism is really the only hard piece of material evidence of a sort of high technology, like a computing system, existing in our ancient past, and dating to only a century or two before the common era, it isn’t really that old, compared to the antiquity that is often claimed for lost high tech civilizations, which we will discuss before we’re done. The fact is that the knowledge and technology needed for the creation of the orrery found near Antikythera already existed. It was a combination of mathematics taught at Plato’s Academy and the theories and cycles of Greek and Babylonian astronomy. Although the Antikythera mechanism is the earliest example of gears discovered in Europe, they appear to have been around already for hundreds of years, as gears have been found in China that date back to the 4th century BCE, and in 330 BCE, gear trains were clearly described in the pseudo-Aristotelian work Mechanica, which though spuriously attributed to Aristotle was certainly written before Archimedes’s time. And with the attribution of the orrery’s invention to Archmedes also uncertain, what advanced technology can we actually credit him with inventing? What we find when we look at the life and accomplishments of Archimedes is rather similar to what we found when looking at Pythagoras. There are traditions and legends about his life and his inventions, but little is known for certain. It is said that he went to Egypt to learn from scholars in Alexandria, perhaps even from Euclid, but much as was the case with Pythagoras’s travels and the influence of Eastern knowledge on his mathematics, this is only a tradition, a legend. Stories of his scientific breakthroughs are likewise questionable, framed in colorful narratives, just like Pythagoras supposedly discovering musical harmony by listening to the hammering of blacksmiths. Take for example the story of his discovery that through water displacement one can measure volume, and when combined with weight could determine density, in order to determine whether something was pure gold or alloyed. It’s said he figured this out by seeing the water level rise when he sat in a bathtub. This is the story of Archimedes crying “Eureka!” as he ran naked through the streets, exulting in his breakthrough. It is so simplistic an explanation of the discovery that, like the apple falling on Isaac Newton’s head raising the notion of gravity, it is likely not true, and indeed, it has long been thought apocryphal, with some scholars even pointing out that there was a far simpler way to determine the same thing, simply by balancing the item with pure gold and plunging the scale into water to see if they remained balanced despite buoyancy. With Archimedes and his discoveries thus shrouded in questions of legitimacy, we must look skeptically at the more outlandish claims about his inventions.

As depicted in that last Indiana Jones film, during the siege of Syracuse by Roman forces in 213 BCE, there is a legend that Archimedes devised a number of ingenious war machines to repel their ships. One was the iron hand or claw, said to be extended out from the walls of the city to grasp Roman ships by their prows and submerge their sterns. Another was his heat ray, the Archimedes Weapon, said to have reflected the rays of the sun onto the Roman ships, causing them to burst into flames. Conventional explanations of the Claw of Archimedes imagine it to have been a grapnel or pincer depending from a wooden beam by a chain, which by means of levers and pulleys could then be pulled by teams of men or animals, thereby raising the vessel. Some recent BBC and Discovery Channel programs have found engineers that declare the device to have been feasible, and it probably is possible for such a device to work. As Archimedes is said to have once stated of levers, "Give me a place to stand on, and I will move the Earth.” However, is it believable? This device would require huge freestanding wooden structures within the walls of Syracuse, as well as extremely long and sturdy wooden beams. First, it is unlikely that there was so much large open space just within the city’s walls to accommodate not only the massive wooden towers that would have been needed to support the device but also space for all the people and/or teams of animals needed to haul the chains and raise the ships. Moreover, the wooden beams would need to be so long and so straight and sturdy that they would have needed to come from sequoias or fir trees or other similarly tall and straight-trunked trees, which were not then available in the Mediterranean. Lastly, nautical maps indicate that the waters around Syracuse were actually shallow at the time, and standard fortification practices of the era would have included the sinking of stones offshore to make it even more inaccessible by ship. These last two facts alone demonstrate that not only would the sinking of ships by such a device be unlikely, there may not have even been a need for such devices. Likewise, the Archimedes heat ray, conventionally held to be a kind of burning mirror or lens, which either reflects or concentrates sunlight, is also feasible, if still not likely. Anyone who has used a magnifying glass to burn ants knows the concept, but the fact is that the claim did not appear until hundreds of years after the siege of Syracuse. Earlier historians, like Polybius, Livy, and Plutarch, who all wrote about the siege, make no mention of such a weapon. The Greek geometer Diocles, a contemporary of Archimedes who wrote about the use of parabolic mirrors to focus light, makes no mention of the weapon or of Archimedes interest in the topic. The first mention comes in the 2nd century CE, when it is only said that he burned Roman ships, with no mention of any unique device. The full legend does not seem to have actually appeared until 700 years after the siege, when in a treatise on parabolic mirrors, Anthemius of Tralles suggested offhandedly that Archimedes might have used a “burning-glass” to set fire to the invaders’ ships. So it is nothing more than conjecture that came to be taken as genuine history. Moreover, three times in 6 years, the television program MythBusters devoted episodes to testing the plausibility of the Archimedes Death Ray. Discovering that ships would need to remain essentially motionless, and the sky would need to be cloudless, and since the seaward side of Syracuse faces eastward, the Roman fleet would have only been vulnerable to such attacks during the morning, they declared the myth busted each time they tested it.

Painting imagining Archimedes’s Death Ray by Giulio Parigi, c. 1599

This is not to say that the existence of these weapons was impossible. As I’ve said, the engineering principles behind both make them plausible to some degree. While documentary evidence clearly suggests the heat ray legend arose later from conjecture, Plutarch did describe the claws in his account of the siege, and it’s possible that it has only been reconstructed erroneously in modern times, and that Archimedes actually had a more elegant design that had no need of such long wooden beams, for example. Plutarch explicitly says of Archimedes’s weapons that he “would not deign to leave behind him any commentary or writing on such subjects.” We can take this as a lame excuse for why there is no surviving evidence of such technology, or we may believe that he chose to destroy his plans for them, whether because he hated that his work was used for warfare or, as Plutarch says, that “repudiating as sordid and ignoble the whole trade of engineering,” he simply preferred “purer speculations.” It would not be the last known time in history that the knowledge of some specific weapon technology would be lost, after all. Take for example the technology of Greek Fire. Much like the devices of Archimedes, which were said to have intimidated the Roman invaders, convincing them that they were fighting against gods, Greek fire, originally called liquid fire or sea fire, was used to repel a far superior naval force in 941 CE, when Byzantines used it to repel the invading Russian fleet attacking Constantinople. Historically, Greek fire has been confused with other incendiary weapons, such as hand-thrown or catapulted fire bombs. Because of this, it was wrongly thought, at different times, to have been a sulphur- or quicklime-based explosive, or even a gunpowder weapon hundreds of years before the appearance of gunpowder. In examining contemporary descriptions, though, scholars have come to recognize that it was a petroleum-based weapon that appears to have been sprayed from hoses or nozzles aboard Greek ships. It was essentially a flame-thrower. Although there are some aspects of the weapon’s workings that remain a mystery, such as the consistency of the fuel, and the method of pumping and siphoning it, the technology itself is not so very mysterious today. We know where the inflammable oils they needed could have been collected, in the North Caucasus oilfield, where wells naturally produced naphtha, and the fact that such petroleum oils may not have been as readily available elsewhere may account for the decline in the weapon’s use. Then there is the fact that it was something of a secret weapon, intended not only to incinerate but also to inspire dread. Historically, technology used for weapons is less likely to be shared, less likely to spread through cultural diffusion, for the simple fact that one group does not want their enemies to have as advanced weaponry as they have. When a technology is purposely kept secret, there is just a higher chance that it may be lost. Take for example the material used to line thermonuclear warheads in the seventies and eighties, which was codenamed Fogbank and was kept so classified that, in the nineties, when it was time to restore the warheads, it was discovered that the composition of the material and the process for its manufacture was never documented, and the retired scientists who had produced the material decades earlier could not recall how to produce it.

Another such medieval weapon technology thought to have been lost is the process for forging Damascus steel. True Damascus steel blades were said to be the strongest and sharpest of blades, such that a swordsman who wielded one could slice easily through a rifle barrel. Legends surrounding Damascus steel make it almost supernatural, like the adamantium or vibranium of Marvel comics. Besides those qualities, it was marked by its appearance, with a rippling water-like pattern in the metal, providing its other name, “watered steel.” Modern experiments have recreated this pattern, but the resulting blades to not appear any stronger than other blades. We could take this for evidence that Damascus blades were never as strong as claimed, but scientific examination does seem to support that genuine Damascus steel blades are different than modern reproductions. In 2006, a German research team claimed that they had discovered nanowires within the blade, which of course sets the imagination afire with ideas about medieval electronics. However, other researchers protest that they actually appear to be carbon nanotubes that formed naturally from cementite during the blades’ forging. This does indeed give us some indication of what made Damascus steel different, though. While there have been alternative notions of the origins of its name, such as that it came from the name of the swordsmith who made them, or that it derives from a root Arabic word, damas, meaning “aqueous” or “watery”—which doesn’t seem like an accurate translation at all, as far as I can determine, so I suspect it’s entirely made up—it is typically thought that the name associates the swords with Damascus, a medieval city in Syria, just as Damask fabric was named after the city, though some say the name comes from the rippling pattern being likened to Damask fabric. The notion that it could have taken its name from Damascus makes sense, though, as these swords were likely first encountered by Europeans in the Middle East. However, their actual forging has been traced to India and Sri Lanka, where a particular crucible steel, called wootz, was used, the ore of which contained just the right trace impurities, with carbide-forming elements such as tungsten and manganese, that made the peculiar qualities of Damascus steel possible. Thus we find that this was not some special technology or process but rather a fluke determined by the specific materials used. The “technology” was lost likely because of the British colonialist rule of India, which disrupted many Indian industries, including mining.

12th century illustration depicting the use of Greek fire in naval warfare.

But again, it is possible that, in addition to the unique materials used in the forging of Damascus steel, there may also have been some unique technique involved. This is exactly the case with another supposed lost technology sometimes cited as a kind of precedent for the idea that ancient civilizations were more advanced than we give them credit for. This one has to do with Roman technology. There are numerous Roman legends about technologies that we would today consider beyond their time. For example, there was Mithradatium, a supposed miracle drug said to have been invented by the Anatolian King Mithradates to save himself from attempts to poison him. This herbal concoction, said to have been brought to Rome by Pompey, was real in the sense that Roman physicians mixed it according to recipes that started to spread, and added to it new ingredients. But certainly it was a myth in that it was just herbs like ginger, cinnamon, and parsley, and certainly not the panacea it was claimed to be, and this was seen as far back as the 2nd century CE, when Pliny the Elder suggested that, with all of its more than fifty ingredients, each in such specific proportions, it was a fraud, calling it “a showy parade of the art, and a colossal boast of science.” Then there was the legend of vitrum flexile, the flexible and therefore unbreakable glass that I mentioned in my episode on technofear last year. The story of this lost technology claims that Tiberius Caesar had its inventor beheaded because he feared the economic effects that such an invention might have. This story is plainly a fiction. It first appeared in the Satyricon, a work of satire, yet the story of flexible glass is still sometimes cited as an actual example of lost technology. The more serious-minded look to genuine Roman accomplishments in infrastructure, such as the aqueducts, and magnificent structures like the Pantheon Dome. The lost technology for which they are credited is their concrete, which was used to build the Pantheon Dome, as well as many other structures, which remain strong and intact. This should not be the case with the kind of crude lime concrete known to be in use in antiquity, yet their concrete appears to be more durable and to stand the test of time better even than modern concrete. Much like the fluke of wootz steel in India, though, the secret of Roman concrete appears to have mostly been in the qualities of the materials they used, in that they used pozzolanic ash, volcanic ash from Pozzuoli, on the Bay of Naples, which seems to help prevent the spread of any cracks that may form in it. However, just as Damascus steel may have resulted from the convergence of a unique material and a special technique, research published as recently as last year suggests that a particular hot mixing technique may have been used, resulting in unique lime clasts that allow the concrete to “self-heal.” It’s really quite amazing, but with no treatises in existence detailing the development of this technology, we can’t be certain that the Romans themselves knew why their concrete would last so long, or even that it would.

So with this discussion of building techniques, we come back to the foundation, so to speak, of claims about ancient lost technology. How did the ancients build these grand things that they built? In answering this, we are brought back to Archimedes, who is given credit for first describing the “simple machines,” as well as for inventing one of them, or at least one use for it. The simple machines are basic mechanical devices that it was long held must serve as the components of any machine, though since the Industrial Revolution, this is no longer accurate. The six simple machines—levers, wedges, pulleys, the wheel-and-axle, the inclined plane, and the screw—all work using leverage to increase force, and leverage was Archimedes’s jam, as we’ve established. Clearly he did not invent leverage, though, nor did he invent these simple machines. Ancient Egyptians had knowledge of them, and the simple answer of how they built the pyramids is that it was done using ramps and levers. Since part of Archimedes’s story was that he learned from scholars in Alexandria, it’s feasible that he was introduced to the mechanical uses of these simple devices while in Egypt. Interestingly, he is credited with inventing the Archimedes screw, which is not the simple screw but rather the water screw, a device for lifting or pumping water, while he was in Egypt, for the irrigation of the Nile Delta. However, it is also argued by scholars that the water screw was invented by the Assyrian King Sennacherib in Mesopotamia hundreds of years earlier, and that it may have already been in use in ancient Egypt long before Archimedes’s supposed time there. Archimedes was preoccupied with the mathematics of spirals, and how it corresponds to movement away from a fixed point, the Archimedean spiral, so it’s suggested these mathematics are what led to his invention of the water screw, but it may just as well have been that he had encountered a water screw or other simple screw machine and this inspired his exploration of the mathematics behind such devices. But regardless of when this water screw was invented, it was used simply to raise water. It was a simple machine. The fact is that the very simplicity of the technology associated with ancient civilizations, the simple leverage devices we know Archimedes worked with, and even the rather mundane nature of the ancient advanced technologies often cited as having been lost—strong steel and durable concrete—demonstrate that there was no high technology comparable to modern technology lost to time. Even the legendary war machines of Archimedes, if they really existed, were essentially just a crane with a grapnel and mirrors to reflect the sun. Only the Antikythera mechanism is impressive as an example of surprisingly ancient high technology, but even that is just a clockwork orrery. It did not run on electricity. Yet unsurprisingly, there are those who would suggest that the Archimedes screw was really a hydroelectric turbine, and that ancient Egyptians used electricity. In the second part of this 2-part series I’ll look at those claims, and in examining ideas about lost ancient tech, I’ll be led inevitably back to Graham Hancock’s claims about lost ancient civilizations.

Further Reading

Dalley, Stephanie, and John Peter Oleson. “Sennacherib, Archimedes, and the Water Screw: The Context of Invention in the Ancient World.” Technology and Culture, vol. 44, no. 1, 2003, pp. 1–26. JSTOR, http://www.jstor.org/stable/25148052. Accessed 2 July 2024.

Freeth, Tony, et al. “Calendars with Olympiad Display and Eclipse Prediction on the Antikythera Mechanism.” Nature, vol. 454, no. 7204, July 2008, pp. 614–17. www.nature.com, https://doi.org/10.1038/nature07130.

Freeth, Tony, et al. “A Model of the Cosmos in the Ancient Greek Antikythera Mechanism.” Scientific Reports, vol. 11, no. 1, Mar. 2021, p. 5821. www.nature.com, https://doi.org/10.1038/s41598-021-84310-w.

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